War Photographer

From abject poverty to becoming a ten-time boxing world champion, congressman, and international icon, Manny Pacquiao is the true definition of a Cinderella story. In the Philippines, he first entered the ring as a sixteen-year-old weighing ninety-eight pounds with the goal of earning money to feed his family. Now, almost twenty years later, when he fights, the country of 100 million people comes to a complete standstill to watch. Regarded for his ability to bring people together, Pacquiao entered the political arena in 2010. As history’s first boxing congressman, Pacquiao now fights for his people both inside and outside of the ring. Now at the height of his career, he is faced with maneuvering an unscrupulous sport while maintaining his political duties. The question now is, what bridge is too far for Manny Pacquiao to cross?

Documentary about veteran character actor Dick Miller, whose career in and outside of Hollywood has spanned almost 200 films across six decades, featuring a diverse range of interviews with directors, co-stars, and contemporaries.

It is the evocation of a life as brief as it is dense. An encounter with a dazzling thought, that of Frantz Fanon, a psychiatrist of West Indian origin, who will reflect on the alienation of black people. It is the evocation of a man of reflection who refuses to close his eyes, of the man of action who devoted himself body and soul to the liberation struggle of the Algerian people and who will become, through his political commitment, his fight, and his writings, one of the figures of the anti-colonialist struggle. Before being killed at the age of 36 by leukemia, on December 6, 1961. His body was buried by Chadli Bendjedid, who later became Algerian president, in Algeria, at the Chouhadas cemetery (cemetery of war martyrs ). With him, three of his works are buried: “Black Skin, White Masks”, “L’An V De La Révolution Algérien” and “The Wretched of the Earth”.

A look at the world of US writer Paul Auster, on the occasion of the publication of his new novel, an exploration of human identity and the soul of New York, the city that Auster has portrayed as no one else has ever done.

In an age when women were incapable of joining the artistic dialogue, Lilias Trotter managed to win the favour of celebrated critics.

This highly kinetic tableaux of uprooted sights and sounds works most earnestly to expose the racial biases concealed in familiar images. Relying on valuable snippets from feature films such as "Exodus", "Lawrence of Arabia", "Black Sunday", "Little Drummer Girl", and network news shows, the filmmakers have constructed an oddly wry narrative, mimicking the history of Mid East politics.

A documentary highlighting the Soviet Union's legendary and enigmatic hockey training culture and world-dominating team through the eyes of the team's Captain Slava Fetisov, following his shift from hockey star and celebrated national hero to political enemy.

The story of Esther Williams is that of an improbable encounter. That of the glamorous Hollywood of the 1940s with a swimming champion. A meeting that gave birth to the most kitsch and flamboyant genre films in Technicolor: the Aqua-musicals! A dive into the troubled waters of post-war Hollywood, where only her qualities as an athlete allow an extraordinary actress to fight to emancipate herself and avoid the traps of the predators who lurk around her

In a Hollywood career spanning more than 50 years and with 60 movie credits to his name, Jack Nicholson has conquered everyone, becoming the archetypal star who lives according to his own rules. Unmoved by critical approval and conventions he remains the most elusive of American actors.

Using archival footage, cabinet conversation recordings, and an interview of the 85-year-old Robert McNamara, The Fog of War depicts his life, from working as a WWII whiz-kid military officer, to being the Ford Motor Company's president, to managing the Vietnam War as defense secretary for presidents Kennedy and Johnson.

A compelling personal journey with David Stratton, as he relates the fascinating development of our cinema history. David guides us from his boyhood cinema experience of Australia in England, where he saw the first images of this strange and exotic landscape via the medium of film, to his migration to Australia as a ‘ten pound pom’ in 1963 and onto his present day reflections on the iconic themes that run through our cinematic legacy. All of this reflects a passionate engagement in a uniquely Australian medium. Parallel and at the heart of the series is the story of an industry whose growing pains David has witnessed over a lifetime. Alongside David, the protagonists of this history are the giants of Australian cinema – both behind the camera and in front of it.