Fuchsia Libre

Lost cinema. Lost culture. Lost country. Lost people. How to recreate the past with nothing? Cinema of the impossible. The silent past is a horror film. The smell of nitrate in the morning. How many ghosts can the cinema contain? 75 films. 22 years. What is the numerological significance? Too late. Never too late.

Cat is a professional thief turned straight after leaving her lover, Chi Lam, two years before. But her past returns to haunt her as Chi Lam is kidnapped for the ransom of security software belonging to the company Cat works for. In order to rescue him, she calls on her old friends from her orphanage days, six other feisty women, to save the day...

After Kati, Hanna and Mila first experiences with guys, it is now necessary to cultivate those relations. The jealous Mila thinks that her friend Markus, would cheat on her with Vanessa. Kati, who is actually together with Tobi, finds that Robert, whom she met during a shooting, more than just cool. Only with Hanna everything seems to work perfectly. Branko is a real gentleman and does everything for her musical career - but not entirely unselfishly, as soon turns out. Problems therefore pre-programmed with the girlfriends and their new conquests!

The comedy 'Ninna' is about the title character, who lives with her son Dennis in Præstø, where she also works at the local takeaway. When Dennis announces that he wants to move away from home after his 18th birthday, Ninna's world collapses. She therefore sets out a plan to get him back home. But along the way, Ninna must also revisit her own life and settle on the past. 'Ninna' is a comedy that addresses serious topics and treats them in a humorous light.

Hans-Dieter Grabe documents the work on board the "Helgoland", a hospital ship for the civilian victims of the Vietnam War.

Two men are connected by a television, strange calls, creative struggle and weird dreams (Made during the COVID-19 pandemic).

A tribute and portrait of the Swedish filmmaker Bo Widerberg. Thommy Berggren presents slices and comments on Widerberg.