Être elles

Angèle, a thirty-something from Ivory Coast, always cope thanks to the gift of gab and audacity. To escape from a bunch of dangerous criminals, she becomes a nanny in the uptown Paris, hired by Hélène, the single mom of eight years old Arthur. Discovering the work conditions of her colleagues, she decides to stand up for their rights, thanks to a young lawyer who will quickly fall for her.

Jobless loner Eddie Vuibert gets a lucky break when a rich Jewish entrepreneur mistakes him for a Jew and gives him a sweet job in the Parisian fashion district.

How to become a man when your mother and your closed circle have decided otherwise? This is the challenge Guillaume took up. The film recounts Guillaume's tragicomic battle from the young age of eight, as he adopts the role of a girl then of a homosexual... until, aged 30, he meets the woman who, after his mother, will become the other woman in his life. Beyond this story of a heterosexual coming-out, the film tells the tale of an actor who never stopped loving women, maybe even a little too much.

Isa, Alice, Léa and Nina, linked by their Sephardic families as much as by their friendship, share their lives between love affairs, a beauty institute under fiscal control, children to raise, an undocumented Moroccan nanny to marry, repeated diets, family and religious holidays to honor, but before being beautiful, their biggest challenge is to be themselves.

Mary and her friend, Rachel, are new students at St. Francis Academy, a boarding school run by the iron fist of Mother Superior. The immature teens grow bored and begin playing pranks on both the unsuspecting nuns and their unpleasant classmates, becoming a constant thorn in Mother Superior's side. However, as the years pass, Mary and Rachel slowly mature and begin to see the nuns in a different light.