Sur les pas de Marie

The history of cinematic sound, told by legendary sound designers and visionary filmmakers.

In the heart of the tranquil Vosges forests, where lynxes, bears and deer roam freely, Vincent Munier accompanies his father on his expeditions. He not only seeks to capture the visual wonders of this forest kingdom, but also aims to make its sounds audible. Every whisper of the forest is a reminder of the knowledge of nature that his father once imbued in him – knowledge that Vincent now passes on to his own son. Vincent Munier combines breathtaking footage of nature and its sounds to create a fairytale-like cinematic experience that slows time down.

Werner Herzog gains exclusive access to film inside the Chauvet caves of Southern France, capturing the oldest known pictorial creations of humankind in their astonishing natural setting.

Decades after her untimely death, Princess Diana continues to evoke mystery, glamour, and the quintessential modern fairy tale gone wrong. As a symbol of both the widening fissures weakening the British monarchy and the destructive machinery of the press, the Princess of Wales navigated an unparalleled rise to fame and the corrosive challenges that came alongside it. Crafted entirely from immersive archival footage and free from the distraction of retrospective voices, this hypnotic and audaciously revealing documentary takes a distinctive formal approach, allowing the story of the People’s Princess to unfold before us like never before.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.