Papaz Kimde

Hilmi Tok is a billionaire businessman. He dies one day while driving his own car. His real estate assets goes his son Bayram.

To bid for his beloved's hand in marriage, poor villager Feyzo must come up with an enormous dowry to appease her father.

This is one of the tragicomic films of Kemal Sunal who is most "serious-comic" artist of the Turkish cinema. This film also reflects socio-economic and cultural life of the 70's-80's Turkiye. The film obviously talk to Turkish audience but who wonder that era of Turkiye can taste of it. The film underlines of love, friendship and -richness in the poorness- and also is a story about the people who prefers love, instead of money and fortune. The theme and narration may include some populist elements -like most Kemal Sunal films- but generally tells its story as well. The story is familiar to Turkish audience: A young man loves young girl. In most Turkish love films one of the partners is rich or poor according to the other but in this movie both sides are poor and they have many difficulties to reach happy end. In my opinion, these kind of movies always gives hope to people to get over it.

A tragicomedy dramatizing how an innocent villager is driven into the crime world only to collect enough cash to make his biggest dream come true: Return to his village home and marry the girl next door.

Dysfunctional friends Dignan and Anthony plan and execute a robbery with their pot-growing friend, Bob. The short film that inspired Wes Anderson’s feature debut.