Ondra-Lamac-Film GmbH (Berlin)

The daughter of the Parisian countess Lafitte, named "Baby", is supposed to go to an English boarding school, but she's much more interested in variety shows. Nevertheless, she travels with her friend Susette to London, who also wants to make a career for herself as a showgirl. During the journey, Baby is mistakenly considered to be a showgirl and she does nothing to dissuade two young English lords from believing so. The girls continue to live under false pretenses even when they arrive in England, with Baby being a soloist with the group "Babies" and Suzette passing herself off as the Contessa Lafitte for school exams. At the end -- a double marriage.

A customer (Karl Valentin) tries to buy a record in a record store but can not decide what he actually wants. The saleswoman (Liesl Karlstadt) tries to help him – which is in vain, as the customer eventually damages various records and even a complete cabinet during his visit.

Anny Brabcová is Sabine Veldenová's maid. She would very much like to get the main role in the new musical "The Pink Letter", in which Veldenová plays. Anna's brother, the easy-going postman Jarda Brabec gets the lyrics to the most famous song of the whole musical "The Pink Letter" from his sister and decides that Anna will sing it at the postal academy right in front of the Minister of Posts, where she will reap great success. Later, when the spoiled star Veldenová ends her role in the musical, the director of the theater Bernhard, with whom Anny is in love, has no choice but to announce an audition for the role.

The lawyer, Dr. Werkmann, is seeking a legal separation for Mr. Bernhof, who claims his wife is an incorrigible gambler. In reality, it is he who is the weakling; and while he dearly loves his wife, he's going through her fortune like there's no tomorrow. His wife, however, loves him dearly, too, in spite of his faults and doesn't want the marriage to end. Dr. Werkmann proposes something at a family meeting, which just might save the marriage after all.

One of the popular Weimar-era musical comedies not released in the US until after the Nazi takeover, this one has a Cinderella-type plot.