PŌTOCOL

When his dangerous older brother is released from prison, high school fencer Jie helps him, defying their mother's attempts to bury his existence.

After a Vietnamese woman dies in a car crash in Saigon, her brother-in-law and her young son transport her body back to the former’s hometown in rural Vietnam, where they plan to give her a funeral.

Yangon, Myanmar, in 2022, is in the midst of a civil war following the military coup on February 1, 2021. Mi-Thet, a young Burmese woman, works in a garment factory in Yangon, far from her native village. Wages have not been paid for the past two months, and a group of workers are leading a strike. But soon, the strikers are attacked by the henchmen of the military regime, leaving Mi-Thet terrified by her past trauma.

In the cold west, Motel Acacia is tasked with exterminating immigrants by the government through a BED, haunted with the spirit of a Filipino tree demon, that eats men and impregnates women. A young Filipino man, JC, is groomed by his tyrannical caucasian Father to take over the business.

An assistant professor at a medical college balances her roles as a professional, a mother and a teacher. Her life changes once she witnesses an unexpected incident involving a female student.

A young man is working as a housekeeper in an empty mansion. When its owner returns to start his mayoral election campaign, the young man bonds with him and defends him when his campaign is vandalized, setting off a chain of violence.

Life is not the most fulfilling for sixteen-year-old Meng: Lounging at home with his grieving father on a daily basis, being excluded from his family’s past, and forced into bullying other kids at school. Everything changes when he is thrown into a life-altering adventure that propels him into an exciting unfamiliar landscape.

Ami, haunted by recurring apparitions, embarks on a journey from Singapore to Japan in search of her missing mother. Amidst the transforming landscapes, Ami's dreams, hauntings and lost mother unveil their true form.

A mainland Chinese filmmaker, exiled to Hong Kong for her politically-charged work, reunites with her mother on a trip to Taiwan.

Following the unexpected demise of a stranger while at work, a repair technician spirals into facing the reality of his own mortality.

In the sleepy hamlet of Vaghachipani, an under-aged sheperdess is discovered to be pregnant. Her employer who is hellbent on becoming the chairman of the village-council is making every effort to cover it up, resulting in more cover-ups threatening to be exposed. Mentally-deficient, the young sheperdess has no idea what a pregnancy is.

With her family on the cusp of change and separation, a filmmaker questions the meaning of her given name, her place among her four sisters, and their stories.

Xuan (8) is struggling to find the perfect outfit for her school’s upcoming Children’s Day celebration. Her sisters are mean, her father authoritarian, her mother busy with the new baby. Xuan tentatively approaches a classmate and makes a new friend.

Based on his short of the same title. Filipiñana is a continuation of Rafael Manuel's study on the Philippine golf and country club milieu as a self-contained microcosm that reflects societal structures present in the country.

The Chinese police visit head-teacher Chen at home. Her daughter, a dissident filmmaker living in Hong Kong, plans yet another critical film about China's colonization of the small autonomous territory. The authorities demand that Chen travel to her daughter to stop the film project. What they do not take into account is that Chen and her daughter lost contact long ago.

The Age of Revelation tells the tale of a mythic figure who wanders through the world and observes the slowly growing disconnection between humanity, nature, and humanity’s innate spirituality. A sound-film collaboration between SAtheCollective and filmmaker Liao Jiekai as part of an artist commission by the Singapore Chinese Cultural Centre, this film features choreography by performance artist Effendy Ibrahim and participation by local performers and dance artists as the cast.

Donna Ong is an installation artist, best known for her evocative and thought-provoking and often complex environments made from furniture, found objects and original artwork.

Something has gone wrong for a typical Singaporean family. After a man loses his job and the respect of his wife and teenage son, he tries to reconnect with his family by taking them on a trip to visit a childhood haunt. Now abandoned and falling apart, the place is nothing like he thought it would be—especially not the ghosts of his past lying in wait. 

In the forest of copper columns, a man performs a ritual of cleansing.

Absent Smile is a loving document of Clang’s parents and their mixed feelings of longing yet support for their son. Using the age-old format of family portraiture augmented with digital means, the spectral quality of absent family members projects a tentative reunion across time and space.