Cocottesminute Productions

The world of 10-year old Nina has been in turmoil since her father lost his job. Despite weeks of strike, his factory closed down. The manager had tampered with the accounts and precipitated its collapse. But rumour has it that a nest-egg remains hidden somewhere in the factory. Nina and her friend Mehdi spring into action to help Nina’s dad out. This tale of our times, which is also a coming-of-age story, stages the interaction between the concerns of children and those of adults.

Can Homo sapiens evolve into Homo spatius? For over 50 years now, we have been testing our human nature in our effort to conquer outer space, and still 30 years away from a possible human exploration of Mars, a question remains: Can our body take such travels? Will it ever adapt? Combining human adventure and the exploration of the human body, this film offers unique insights into the physical and psychological effects of space travel on the Astronauts and measures the impact on medical sciences.

"We're more popular than Jesus." John Lennon's statement caused a scandal. Yet it is just another chapter in the tumultuous history between rock music and religion. A history that began with Elvis's sinful hip-shaking and continues today with the revival of Christian rock. A 60-year story that brings together deified singers, gurus, hippies, metalheads, punks, fundamentalist priests, and stars who died too young...

While some of them flirt with the limits, others are dropouts or in school reintegration, they are seventeen students to follow the Defense Class at the Japy vocational school in Lyon. An option of two hours per week provided by the military to these high school students in great difficulty. School and army, a rapprochement that may seem unlikely. In a society in loss of bearings, this course can allow these young people in lack of belonging to redefine "doing Nation". What values ​​can the army instil in them? What will be the real scope?

In 1995, Mathieu Kassovitz's "La Haine" defined the "banlieue film" genre, with its aesthetic rooted in housing projects and its portrayal of life in marginalized suburbs. This documentary explores the evolution of this cinematic genre, reflecting the visual and social atmosphere of these neighborhoods while examining how films have both documented and warned about their gradual isolation from the rest of the nation.

In 1958, de Gaulle made the President a figure who represented both the heritage of the monarchy and that of the French Revolution. In other words, he's the ideal candidate for a leading or supporting role in cinema. Yet in France, unlike in the United States, the list of films using the presidential figure, real or fictional, is meagre. What lies behind this absence?