Using testimonies by pioneers and witnesses of the times, delve into the feverish visual culture the media generated – with far-fetched examples of canine television games, seduction manuals, aerobics class while holding a baby, among others.

Paris, 1940. German occupation forces create a new film production company, Continental, and put Alfred Greven – producer, cinephile, and opportunistic businessman – in charge. During the occupation, under Joseph Goebbels’s orders, Greven hires the best artists and technicians of French cinema to produce successful, highly entertaining films, which are also strategically devoid of propaganda. Simultaneously, he takes advantage of the confiscation of Jewish property to purchase film theaters, studios and laboratories, in order to control the whole production line. His goal: to create a European Hollywood. Among the thirty feature films thus produced under the auspices of Continental, several are, to this day, considered classics of French cinema.

Great filmmakers claim the artistic influence of French director Henri-Georges Clouzot (1907-1977), a master of suspense, with a unique vision of the world, who knew how to offer both great shows and subtle studies of characters. Beyond the myth of the tyrannical director, a contrasting portrait of a visionary, an agitator, an artist against the system.

For a very long time, the French government has chosen to ignore the Vichy regime, its collaboration with Nazi Germany and its crimes, in an attempt to erase the past and reconcile all French citizens. Although historians, writers and filmmakers have helped develop a certain awareness on this controversial subject, it has been mostly civil society that has led the fight against falsification and denial, in the name of truth and justice.

And what if rap had been the first and true manifestation of the Grand Paris? Paname, le Grand Paris du rap tells the story of an extraordinary decade, the 2010s, during which the Île-de-France region established itself as one of the main centers of rap music worldwide. From the Sexion d'Assaut to PNL, via l'Entourage, Kaaris, MHD and Fianso, we delve into the roots of this scene, drawing on its diversity, and navigating both sides of the ring road: a look back at ten years that have changed music... or that music has changed.

It was the world's largest, most beautiful and fastest cruise ship. Built in Saint Nazaire in 1932, the "Normandie" was the pride of France. But it took only a few hours, amidst the chaos of World War Two, for this dream of grandeur to lie broken in New York harbour.

Aging parents of disabled adults, they worry about their child's life after their disappearance. A moving insight into the daily life of a family home in the Vendée region, which offers them the prospect of a peaceful future.

In recent years, France's arms sales have been booming and the country has become the third largest exporter in the world. Yet the general public doesn't know much about this industrial flagship, its factories, employees, territories and the high officials signing the contracts.

Frank Capra was one of Hollywood's most popular and respected directors in the 1930s and 1940s. His best-known films include "Isn't Life Beautiful?", "The Bottom Ten Thousand" and "Arsenic and Lace". His career from poor Sicilian immigrant to successful director stands for the American dream and brings him surprisingly close to his characters. But what in his depictions of America and its everyday heroes is reality, and where does the dream begin?

Leonard is serving a life sentence in a Florida prison for the murders of Patricia and Chris. Agnes—the victims’ mother and grandmother—decided to contact him in the hope it would help her heal from this tragedy and give it meaning. As the law didn’t allow her to meet Leonard, she wrote to him instead. Their exchange led them to join in a mutual fight to promote restorative justice—an alternative stance on justice based on prevention and victim/offender dialog. Their struggle echoes those of others families, bringing us to examine what restorative justice means and the hopes it sparks.

Documentary about French actor Michel Simon.

"Stolen Childhood - Chronicle of Denial" - built on the testimonies of victims, magistrates, psychiatrists, and archives showing the decisive role of television in this matter, the film tells 50 years of society's responses to pedophilia.

In the working-class neighborhoods of France, trust is broken between young people and the police. The slightest identity check carries within it the germs of a possible skid, rebellion or blunder. A case is emblematic of this impasse. For the first time in France, teenagers filed a complaint collectively for intentional violence against a police brigade of the 12th arrondissement of Paris. During this trial, it is the very mission of the police that will be indicted. Citizens, educators, lawyers or police officers, look for a way out and denounce the systematic use of violence that they consider illegitimate. By following their fight, this film lifts the veil on the mechanisms of this violence and the silences that surround it.