Talweg Production

Great filmmakers claim the artistic influence of French director Henri-Georges Clouzot (1907-1977), a master of suspense, with a unique vision of the world, who knew how to offer both great shows and subtle studies of characters. Beyond the myth of the tyrannical director, a contrasting portrait of a visionary, an agitator, an artist against the system.

Using testimonies by pioneers and witnesses of the times, delve into the feverish visual culture the media generated – with far-fetched examples of canine television games, seduction manuals, aerobics class while holding a baby, among others.

Aging parents of disabled adults, they worry about their child's life after their disappearance. A moving insight into the daily life of a family home in the Vendée region, which offers them the prospect of a peaceful future.

Paris, 1940. German occupation forces create a new film production company, Continental, and put Alfred Greven – producer, cinephile, and opportunistic businessman – in charge. During the occupation, under Joseph Goebbels’s orders, Greven hires the best artists and technicians of French cinema to produce successful, highly entertaining films, which are also strategically devoid of propaganda. Simultaneously, he takes advantage of the confiscation of Jewish property to purchase film theaters, studios and laboratories, in order to control the whole production line. His goal: to create a European Hollywood. Among the thirty feature films thus produced under the auspices of Continental, several are, to this day, considered classics of French cinema.

Sixty years after the signing of the Élysée Treaty, which opened an unprecedented era of cooperation between the two countries, how is the Franco-German tandem doing? An enlightening assessment, at a time when the war in Ukraine is shaking the world order.

And what if rap had been the first and true manifestation of the Grand Paris? Paname, le Grand Paris du rap tells the story of an extraordinary decade, the 2010s, during which the Île-de-France region established itself as one of the main centers of rap music worldwide. From the Sexion d'Assaut to PNL, via l'Entourage, Kaaris, MHD and Fianso, we delve into the roots of this scene, drawing on its diversity, and navigating both sides of the ring road: a look back at ten years that have changed music... or that music has changed.

In Czechoslovakia, between 1946 and 1971, the characters of two very different fairy tales interacted and enriched each other: on the one hand, the filmmakers of the Czechoslovak New Wave who, through poetic, committed and ambitious cinema, fought against the Soviet yoke with subtle irony; and, on the other, the writer Jan Procházka, who in 1968 added his voice to the popular outcry of the Prague Spring.

Documentary about French actor Michel Simon.

Frank Capra was one of Hollywood's most popular and respected directors in the 1930s and 1940s. His best-known films include "Isn't Life Beautiful?", "The Bottom Ten Thousand" and "Arsenic and Lace". His career from poor Sicilian immigrant to successful director stands for the American dream and brings him surprisingly close to his characters. But what in his depictions of America and its everyday heroes is reality, and where does the dream begin?

It was the world's largest, most beautiful and fastest cruise ship. Built in Saint Nazaire in 1932, the "Normandie" was the pride of France. But it took only a few hours, amidst the chaos of World War Two, for this dream of grandeur to lie broken in New York harbour.

Guynel and Diovany are two young queer men with radically different personalities but from the same island, Martinique. After three years away, Guynel returns to his homeland to reconnect with his roots, his loved ones, and to come out to his father. Diovany, meanwhile, is about to finish his studies and is preparing to compete in one of Martinique’s first “Balls.” It marks the beginning of a dream that will likely one day lead him to the Parisian drag scene. Two intertwined destinies that, through their search for identity, tell the story of queer youth in Martinique and their passage into adulthood.

Charlotte, Elona, and Raphaëlle explore inner worlds through oneiric states. Raphaëlle, struggling with maladaptive daydreaming, escapes into highly immersive fantasies, torn between joy and suffering. This refuge keeps her from facing reality, including her homosexuality. Over time, she learns to break free from it, embrace her identity, and write. Through discussions with specialists and a writing workshop, the three young women share their perspectives on dreams and existence in an intimate and existential journey.

Leonard is serving a life sentence in a Florida prison for the murders of Patricia and Chris. Agnes—the victims’ mother and grandmother—decided to contact him in the hope it would help her heal from this tragedy and give it meaning. As the law didn’t allow her to meet Leonard, she wrote to him instead. Their exchange led them to join in a mutual fight to promote restorative justice—an alternative stance on justice based on prevention and victim/offender dialog. Their struggle echoes those of others families, bringing us to examine what restorative justice means and the hopes it sparks.