Learning in Focus

This film adaptation of James Baldwin's celebrated novel tells the journey of a family from the rural South to "big city" Harlem seeking both salvation and understanding and of a young boy struggling to earn the approval of a self-righteous and often unloving stepfather.

Nebraska in the 1880's: bleak, lonely, and far from what you'd expect The Wild West to be. But for a naive Swedish immigrant, the frontier parlor of THE BLUE HOTEL represents the quintessential western fantasy. No one can convince The Swede that his dime-store notions about The West are foolish. He sees murderous intentions all around him and in his terror he turns everybody against him. Inevitably, the Swede attracts tragedy. However, who is responsible? The negative Swede? Or the cliquish hotel guests? Jan Kadar directs this timely story of how society punishes outsiders for being different.

Tommy Wilhelm (Robin Williams) is a salesman. An honest, hard-working guy who has lost his job, his girlfriend, and left part of his sanity behind as he heads to New York to pick up the pieces of his life. He's always been able to sell, but caught in a downward spiral, he must, in addition, face the father who never really understood him, while trying to balance his newly precarious existence.

Granny Weatherall (Geraldine Fitzgerald) is a spunky old lady of eighty who bosses around her doctor and her children. She seems so strong and in control, and yet she has never had the upper hand in her destiny. One morning, a flood of long-forgotten memories bring her to the realization that of all her accomplishments, she cannot console herself for the shame-filled day she was left standing at the alter. Still, her indomitable will to live and act independently infuses the last day of her life. Adapted from the short story by acclaimed writer Katherine Anne Porter ("Ship of Fools"), The Jilting of Granny Weatherall reminds us of the plight of many women who wait for life to claim them, rather than seek life out for themselves.

Set in 18th Century Italy, RAPPACCINI'S DAUGHTER is the tale of a young scholar named Giovanni (Kristoffer Tabori) who falls in love with a beautiful, yet forbidden, girl who tends her father's poison garden. However, the strange and unearthly beauty of Beatrice (Kathleen Beller) masks a terrifying curse which Giovanni must tragically discover. Her father, the mysterious Dr. Rappaccini, has made her the subject of a diabolical experiment. In Giovanni's attempt to free Beatrice from the control of her father and to escape the poisonous effect she begins to have on him, he unwittingly destroys her. From the short story of master American novelist Nathaniel Hawthorne, two quintessential Hawthorne themes are explored: the sins of interfering with another's soul and the futility of trying to tamper with nature.

Although Dave (LeVar Burton) and his family are poor sharecroppers in the Deep South in the 1930s, this 15-year-old's problem is shared by teenagers today: he stands with one foot in adulthood and the other in childhood. "Almos' A Man", yet still treated like a child, he struggles for an identity. There's one thing, one symbol of manhood, Dave thinks, that could guarantee him instant respect: a gun.

Ab Snopes (Tommy Lee Jones) is a Southern tenant farmer whose unrelenting and violent nature proves to be his undoing in William Faulkner's Barn Burning. Snopes sets his employer's barn on fire when he thinks he's been treated unfairly. His son, Sarty, is horrified. Snopes escapes justice for lack of proof, but he and his family are told to move on. No sooner do they move than Snopes is offended by his new rich employer. Torn between trying to win his father's acceptance and his aversion to what his father will do, Sarty must make a decision and act quickly. Adapted by Academy Award winning screenwriter Horton Foote, Faulkner's complex world of class divisions and hostile family relationships comes to life through a boy's attempt to liberate himself from hatred and poverty.

A conscientious but driven Polish refugee disrupts the hierarchy of power on a Georgia farm in the 1940s.