Taiwan Public Television Service Foundation

Xue Ping, an out of town war veteran and Ahong a high school night school student both take the train to visit Taipei and wander around Taipei city, spending a strange and chaotic day. From time to time these two people's lives intersect. When the sun sets, they finally run into each other, stirring up the drama, and the revelation of a sixty year old sad and beautiful gay love story.

Kang lives alone in a big house, Non in a small apartment in town. They meet, and then part, their days flowing on as before.

A cute coed leaves her mother's home and gets involved with a pastry chef who has links to the local criminal element.

Wang Shin-hong is suffering from insomnia. A fortune teller advises the Mandalay businessman, whose car and bulging wallet suggest that business is going pretty well, to spend 14 days in a monastery, living life as a monk and eating an apple a day. Such a thing is possible in Burma today. Wang Shin-hong arrives at the rural monastery, has his head shaved and dons a red robe, in which he instantly becomes an authority. During the welcome procession, the village women, their poverty clear from their clothing and the huts in the background, put more than they have in his alms bowl. During his fleeting role as their advisor, Wang Shin-hong soon learns of the villagers’ attempts to survive and make a living as legal or illegal migrants in China, Thailand or Malaysia. He also finds out how the other monks try to generate profit and additional income.

A mainland Chinese filmmaker, exiled to Hong Kong for her politically-charged work, reunites with her mother on a trip to Taiwan.

After the sudden death of his wife, Guan discovers her unfinished novel—a tale intertwining the endangered clouded leopard and the Rukai tribe’s sacred origin myth, which tells of their descent from the elusive animal. Grief-stricken and seeking connection, he sets out on a surreal journey into dreamlike scenes—a maze of the subconscious, mist-shrouded forests, ancient tree hollows, and symbolic inner landscapes.

Mr. Lin is a happily retired man who spends his time keeping company with his toddling grandson, walking his dog, and playing golf with his in-laws. Recently, he has been obsessed with houses with river views. In Lin's city of demolitions and reconstructions, money-making investors buy and sell houses at unaffordable prices. Above the skyline of Taipei, will the boundaries between daydreams and reality ever blur?

Midi Z visits his oncle who works as a jade miner.

Thirteen-year-old Chuan becomes an orphan after his father dies while fishing. Not getting along with his uncle, he runs away from home and temporarily lives in Zhu's temple. A group of conservators come and the leader Hei drives Chuan away. Chuan plots revenge but accidentally discovers the secret of Hei’s night blindness. The two lonely souls thus begin living together in the attic…

This film re-examines major environmental movements and events in Taiwan from the 1980s to 2018, including the protest against LCY Chemical Corp in Hsinchu, anti-DuPont movement in Lukang, movement against the expansion of petrochemical industry, anti-nuclear and anti-air pollution protests. It is a compilation of over 30 years of documentary footage and interviews of those who took part in the protests.

High in the mountains of Taiwan, is the remote village of Smangus. Inhabited by a unique group of indigenous people called the Tayal, Smangus is the only place in Taiwan that now practices common ownership of land and property. This is a place where nature and man have found balance. Now, witness every part of the lives of these people, through pain and joy, and experience the unique bonds formed with the ancient trees around them, in a film that documents A Year In The Clouds - a year amongst the sacred forests of this tribe.

A student, initially serving as a director, filmed his LGBTQ+ teacher but eventually became personally involved in drag. What began as an observer's stance transformed into active participation in drag. Through self-engagement in drag, the director assumed the identity of Rachel and seized an opportunity for a dialogue with self-identity. This experience led to an awareness of the conflicting dialectics between societal frameworks and personal identity. The director embarked on multiple attempts to coexist with and showcase the multifaceted aspects of the transformed, drag persona.

Since Taiwan’s opening of cable TV in 1993, the number of channels has increased by 30 times, including 8 24-hour news channels. TV news and newspapers are trying to fight for ratings, grab advertisements, invade people’s privacy, make up for news, and seduce gossip. Is there really no cure for this media monster that is damaging the eyes of the audience? Is publicization the last salvation for the failure of the media market? Through the interviews of a number of audiences from all walks of life and the experience of frontline journalists, this film combines the context of the media reform movement to sort out the root causes of media chaos and the possibility of prescribing the right remedy.

This is a journey in which the creator of this documentary tries to find the origin for his creation. While driving on the freeway to Puzi, Chiayi County, WU Yao-tung and Tom continue a conversation left unfinished two decades ago. The dialogue falters; clearly they live in two different worlds. After traversing this journey for 20 years, the dark spectre entangled within the depths of the mind is never driven away.

In an old photography studio, an old man and a group of young men meet. The old man has seen everything, but is determined to live a full life until the very end. The young men have just begun their lives, but feel aimless, lost and insecure. One man's story is ending, while the young men's stories are just beginning. Between their differences, a lesson on life is found.