LASALLE College of the Arts, Singapore

Inspired by Jollin Tan’s poem ‘Shapeshifter’, eggs are used as metaphors in the film for self-representation, illustrating how humans break and conform to fit into society. However, whether fried, boiled, or scrambled, an egg is just an egg.

A single mother struggles with the futility of her relationship with her special needs son as her patience grows thin.

An old woman reluctantly leaves her house and steps out into a white space with a bell. She drags her house with her and rings the bell, causing a door and its Gatekeeper to appear. She struggles to pull her house through the narrow door, and fights off the Gatekeeper who tries to stop her from doing so. Eventually, she fails and must let go of her house to walk through the door. However, she realises that she can immortalise her house through the memories she has of them and she willingly moves on, letting go of her worldly attachments.

Clara embraces solitude, however, struggles to find a balance between solitude and loneliness..

On an unremarkable weekday afternoon, the film follows eight-year-old Dawn as she spends her birthday planning the perfect surprise, only to be surprised herself.

A story about a doll exploring the delicate balance between guidance and autonomy, and the courage it takes to break free and dance to the rhythm of one’s own life.

Capturing life through the lens of a dream, Albert explores the evocation of the subconscious mind through the vivid visualism and dynamism of images.

A grandfather decides to take his grandson on an outing.