Les Productions du 3ème Etage

Vincent Poirel, a multinational executive, has won the contract to build an Olympic stadium. The original design, however, was by young architect Simon Variot. When he discovers it, he goes to the construction site and is run over by Poirel. Simon dies, but is resurrected in the body of Poirel's son, who doesn't understand why the little boy hates him so much.

A private eye finds that her professional and personal lives are beginning to intertwine in this French drama. Maxime Chabrier (Anémone) is a woman in her mid-40s who works as a private detective. Despite her chain smoking and sloppy appearance, Maxime is regarded as a skilled investigator by her colleagues and considered the best PI at her agency by her boss. While Maxime has romantic dalliances with both men and women, she hasn't been involved in a long-term relationship since she left her husband 15 years ago. However, Maxime is hired to look into a case that suggests that her former husband has become involved with insurance fraud, which brings her into contact with her 17-year-old son Baptiste (Gregoire Colin) for the first time since the divorce. Just as Maxime is trying to mend fences with her son and find out what her ex has gotten himself into, she finds herself falling in love with Jacques (Michel Didym), an economist.

One of the great masterpieces of world literature comes to vivid life in an elaborate production from acclaimed theater and film innovator Peter Brook. This collection of ancient Sanskrit stories (composed into the longest book ever written) comprises a series of enlightened fables at the heart of countless beliefs, legends, and teachings; indeed, its very title means "the great story of mankind." Brook and writer Jean-Claude Carriere worked for eight years to develop this epic concerning two sides of a royal family, the Pandavas and the Kauravas, whose struggle leads to a fascinating voyage of emotions, passion and vision of glory. Briefly, the Mahabharata is a tale of two rival sets of brothers, cousins to eachother, each born into royalty and with divinely guided paths in life. The result, however, is a great war, death, destruction - a vast epic.

Al and Elsa have been a couple for some time, but the chances that their relationship will be long-lived are few. For one thing, Al is appallingly dependent on Elsa for his every emotional need. For another, Elsa is an incredibly elusive person, extremely difficult to pin down about anything - especially whatever is bothering her. How they have managed to survive this long is a cause for wonder. When Al gets an opportunity to be cast in a movie role, complete with no-cost occupancy in the casting agent's ugly but fashionable apartment, he jumps at the chance to provide a little material satisfaction for his beloved Elsa. But what exactly does she want?