Grafo Audiovisual

40-year-old Daniel has been suspended from active police work and is under internal investigation for violence. When Sara, his internet love affair, stops answering his texts he decides to drive north in search of her, starting on what is apparently a fool's errand. He shows Sara's picture around, but nobody seems to recognize the woman. Until eventually one guy pops up, saying he can put the two in touch under very specific conditions.

Visiting day. Lindalva prepares food to take it to her son who is in jail. Metruti, Lindalva's son, shaves and wears the best clothes to welcome his mother. Today is a very special day and he really needs to make a phone call. His mother is taking a risk, she's willing to smuggle a cell phone for him into the penitentiary.

After his wife's death, Fernando becomes a quiet and introspective man who raises his son, Daniel by himself. Every night, while the boy is sleeping, Fernando "revives" his wife by touching her clothes and organizing her personal belongings. Paulo does not get along well with his mother-in-law, who judges him unprepared to raise the boy without help. Lonely, Paulo has to resist the advances of his recently divorced sister-in-law.

Tati and Renet were already trading pics, videos and music by their cellphones and on the last school trip they started making eye contact. However, what could be the beginning of a love story becomes the end.

Léo finds an old photograph dated the same day he was born. Intrigued, he sets off in search of what he thinks is a fragment of his past.

In a distant mansion lives a religious and apparently incomplete family: a mother and her two daughters. Until the day which a new disturbing member comes to put things in their place.

Hatred, intolerance, polarization. In the past few years, Brazil transformed into a battlefield, where dialogue became impossible. The Baptism depicts this phenomenon and its consequences through the relationship between two brothers which lives are completely different from each other.

Western book writer, Eugenio is going through a difficult phase. He is famous for the novels starring the Jesus Kid, but his sales have been going from bad to worse for some time. The light at the end of the tunnel seems to be a film director's invitation: he wants Eugenio to write a film script. However, to write this script, Eugênio must spend three months isolated in a luxury hotel, without being able to go out or have contact with the world he knows. Based on this premise, Mutarelli builds a scathing critique of the publishing market and the film market — where he has been circulating for years. Bringing to Eugênio much of his own personality, the author shows how the commercial part of culture can be perverse to those who work in it.

Miguel, a 7-year-old boy, lives with three generations of estranged women in an old house. Among them is his mother who, after a traumatic divorce, distances herself from the boy. Miguel takes comfort in Carmen, an enigmatic Venezuelan immigrant who works as a maid for this Brazilian family. Carmen becomes an ambiguous mother figure for the boy, who develops an intimate and unusual bond with her, introducing him to a universe in which the real and the imaginary intertwine.

Damião, a young black priest, settles in a village of European immigrants, tobacco farmers in southern Brazil. Received with disdain, Damião discovers that sinister forces have taken root in the town.

The white flowers in the back of the boy start to darken. In war, Quibungo devours the other legends. Jurupari is about to win.

In the prison yard, the prisoners play football, dance “capoeira” and talk about freedom.

Ingrid Savoy, a Brazilian celebrity set to take part in a reality show, spends her days confined to a hotel room. Amid premonitory visions, a paparazzi invasion, and anarchist terrorist attacks bursting across the city, the artist lives the constant imminence of a scandal.

This is an exiting night in the life of Nelson and Lucas. They are preparing to march to the government hall. Nelson is a elite squad police officer. Lucas, his brother, prepares posters and Molotov cocktail to ignite the crowds.

In a huge abandoned shed, a woman inflicts the most various tortures on a man in order to get answers.

In 2001, Fernanda was a 15-year-old Brazilian foreign exchange student in Mesa, Arizona, considered the most conservative city in the United States. Fifteen years later – and two months before Donald Trump’s election – she’s back to understand her experience there.

Renata lives isolated in the countryside with her teenage daughter and her husband, conceiving fear as a common feeling. The arrival of a stranger awakens in her the desire for all that was asleep.

Musicians that belong to different genres reveal the logic and meaning that they find in music, through their studyes and rehearsals routines.

As the twilight of adolescence gives way to adulthood, Casca, Ana, and Fú find themselves stalled on the roadside. The highway shifts before their eyes: a reverse road movie.