Karta Film

Mato Grosso do Sul, Brazil, the present. When a young Guarani-Kaiowá woman commits suicide, Nádio leads his community to form a protest camp on the borders of a local farm that sits on their ancestral burial ground.

“Nobody Leaves Alive” by André Ristum is shot in beautiful but also distancing black and white. Looking at the Venice line-up, this seems to be a trend this year among the maestros of cinema. The film is inspired by true events that took place in the last century in the “Colonia” hospital in Brazil. Whoever didn’t fit the standards of society, or their family’s perception of it, was locked away, tortured, and killed. There were altogether more than 60,000 victims. Hope dies last, and some of the inmates don’t give up the fight. We’re reminded of film classics such as “One Flew Over the Cookoo’s Nest” or “Alcatraz”.

It follows Mariano Guerra as he returns to Argentina to testify against soldiers who tortured him during the dictatorship, focusing not on revenge but on his inner struggle with guilt, trauma, and the lasting psychological impact of violence kept largely off-screen.

A documentary film that recounts the life of Vera Vigevani Jarach, through a firsthand account of two experiences that, over time and in different places, shaped her life, confronting her under two different dictatorships that made deportation and physical elimination commonplace: Nazism and Fascism and the Argentine dictatorship. The disappearance of her daughter Franca inspired Vera to become a founder of the Mothers of Plaza de Mayo and a "memory activist," touring Italy and Argentina to tell her two stories, ensuring that these horrors never happen again.