Studio Pangolin

Through observing the landscape and models of cohabitation between living and non-living entities, Croatian experimental filmmaker Ana Hušman, examines the ways in which memories are built and narratives formed. And also how they disappear and fragment. A caring cinematic homage to female members of Hušman's family, as well as to Lika, a neglected, sparsely populated region from where they originate.

Slides of mountains found at Zora Film, a company that produced educational films in the 1950s. Intended to be used as visual tools during geography classes, are reanimated through various digital and analogue techniques.

A psychogeographic exploration of the town of Momiano, intirely narrated in the Istrian dialect.

Stola has been spending his summer in the sweltering haze of festival parties. But one day, he runs into Roko, an old acquaintance, who is on a mission to discover medieval frescoes at a nearby monastery. Roko convinces Stola and a random group of partygoers to join him in his search. However, when their bus breaks down in the middle of nowhere, their brief excursion turns into an allegorical journey into the unknown.

Mexico city. 2 squads us and them playing 51 min. 1:0.

Twelve 5-minute TV episodes about small Croatian towns and villages in which residents speak in strong dialects or foreign languages. The series includes episodes about Momjan, Gornja Stubica, Tounj, Vrboska, Zdala, Susak, Prezid, Bol, Susnjevica, Strigova, Blato and Lokve.

A living room. A place where the private space of a flat is on public display. Using memory, supposition and measurable architectural elements, the space of the living room is continuously constructed and reconstructed, and the action grows into an interpretation of past, present and possible events and relationships.

Market shoppers use all of their senses when trying to ascertain whether the groceries are local or imported. The privileging of local produce over imported goods is ever present regardless of whether or not the groceries actually are better, this follows to lines of argument – that by buying Croatian produce they are supporting Croatian agriculture and that domestic produce is familiar and tastier, although it is not the origin of the goods but the method of its production that counts. They rather chose to buy local goods simply because it is "our" , Croatian, local produce, and not some foreign, unfamiliar and alien foodstuff which is therefore deemed of lesser quality.