Kokuei Company

Tsumugi, a girl with a crush on her teacher, discovers that the teacher is having an affair with another teacher. Complications ensue after Tsumugi manages to attract her teacher, but then begins falling for a fellow student.

Housewife Kyoko begins moonlighting at a mysterious sex club as a means of rebelling against her boring salaryman husband Akihito. The Bedroom isn’t like any normal club, though: the female hostesses all take the powerful sedative Halcion to sleep through their encounters with the male clientele.

A critique of the Japanese family, seen here as militaristic, absurdly incestuous and patriarchal with the father dominating his family sexually and violently. Nihilistic destruction by the young ones seems to be the only way out.

A blackmarketeer and his mistress try to swindle people at a hot-spring resort, but are thwarted by the local inhabitants.

Pinku from 1966.

Second Pink film by Wakamatsu

Pinku from 1970.

In a 1963 review of this film for the Naigai Times, Minoru Murai coined the term "Pink film" by suggesting a "Pink Ribbon prize" should be awarded to these softcore erotic productions, which were known as "Eroductions" in the 1960s.

LEAD TOMBSTONE tracks the progress of a young sociopathic rake who had, immediately post-WW2, rescued his country farmer mother from rape by stabbing the offending American soldier in the back with a pitchfork. Once grown, the boy continues his violent life as a hoodlum on the run, repaying an outlaw couple who have sheltered him by raping the wife, then, at his boss’s behest, murdering the husband. He’s also not above strangling a girl in her bathtub for kicks. The one spot of normalcy in his life is his shop girl girlfriend, an innocent who, once she discovers his other life, confronts his boss… (from OUTLAW MASTERS OF JAPANESE CINEMA by Chris D)

Three bad high school students who are preparing for the graduation ceremony are caught up in a battle with Yakuza after encountering a Korean in Japan and Yuki Yappa who has been married to him. A youth adventure drama with a powerful depiction of "Japan" and "Asia" that emerges from various nationalities.

Pinku from 1968.

A pale-looking man, Kazuhiko, is being questioned by the police following the extremely bloody murder of a young woman. He begins his story with the day that two sisters, Akiko and Mayuko, moved into the house across from his. After helping the pair move in, he starts talking with the younger sister, and soon they become intimate. The relationship continues for a while, but one day the sisters suddenly pack up and disappear, but not before sharing their secret with Kazuhiko. What kind of secret could have caused him to commit such a murder? Or did he?

Hayato comes back to his home village after father breaks his legs and cannot walk anymore. He brings his wife Ami along with him, who had a miscarriage and has been dysfunctional and depressed ever since. Hayato hangs with his old friends and enjoys the life of the village, but Ami is a city girl and is growing lonelier. She finds comfort in the arms of Hayato's father. It's not long before everybody in the small village is aware of their relationship... except Hayato... A drama about betrayal and the illogical nature of love and happiness.

The film tells a story about a woman and her relationship with the family of her husband's, in particular her husband's younger brother and father-in-law. Her husband, on the other hand, has an affair with a dominatrix and is obsessed in S&M games.

During a month of unusually heavy rain in Tokyo, a mystery assailant has been brutally assaulting and killing people with a metal bat. When a handsome young man with amnesia is found outside an area hospital, the nurse who discovered him begins to suspect that he may in fact be the assailant. But her own strange erotic fixations with him, and the questionable involvement of the doctor tasked with the amnesia victim, lead them all down an increasingly twisted path of deeply-rooted trauma and violence.

An abusive psychologist enjoys torturing and abusing his wife. After rough sexual session of pain and dominance she decides to leave her husband. Then her masochistic twin sister arrives and of course plenty of kinky sexual torture and bondage happens next.

When the '70s ended the anger of young people rose, differences in social values ​​occurred between adults and young people, and the word "generation" began to be widespread among the young people.,The film depicts a group of young men and women who are forced to flee their homes after committing a murder. The screenplay is written by Atsushi Yamatoya, wherein he asks whether these young people are sick or sensible.

Sex Machine tells of the affable but simple Hiroshi, who during one sweltering summer in a small, parochial town, moves in with his girlfriend, Haruka. Their lovemaking is as athletic as it is bizarre but a dark storm comes looming when Haruka's ex boyfriend comes knocking at the door.

Toranaga is a good-for-nothing loser. However, he also happens to be the last remaining direct descendant of Shogun Tokugawa Ieyasu. When a mysterious ninja threatens Toranaga’s life, the great ninja Hattori Hanzo is hired to protect him. However, it seems that there are a bunch of female ninjas aching to have sex with Toranaga and take his sperm! Now Hanzo must fight for Toranaga’s most precious possession against the leader of the ninjas, Neneko, who bears a centuries-old grudge.

Perfect Blue: Yume Nara Samete (パーfectブルー 夢なら醒めて, Pāfekuto Burū: Yume Nara Samete) is a 2002 Japanese psychological thriller film directed by Toshiki Satō and adapted from the novel of the same name by Yoshikazu Takeuchi. The story centers on Ai, a teen pop idol transitioning to a recording career, whose life unravels amid fixation from a obsessive convenience store clerk, leading to themes of distorted self-perception, narcissistic delusions, and violent events.