Guided by his doctor (or is it voices in his head?), a young director is given a mission: to go to Texas to make an abstract roadmovie (“Unfocused film! Focus is repressed!”) about the Housecore Horror Festival of Film and Music, a festival that brings together cinema and extreme music.

The Gunslinger Nobody refuses to suck a bull's cock in Colonel Bajon's zoophilia movie, and a musical hunt begins.

Countries in the Global North are the biggest polluters on the planet. Thus, they created the carbon credit system, which pretends to protect forests in the Global South, which are already protected by their original peoples. A typical scam of financial capitalism known as “hot air”. The beings from those forests, through their perforMAGIC activATIONS, came to reveal this great farce and invite everyone to do environmental justice with their own hands, united in a great cosmic spiral.

With free eyes, an open heart, good friends and a handful of luck, Gurcius Gewdner revisits some of his adventures of the past five years, survives the relentless Russian winter and asks the following question: How far can an underground Brazilian film go?

Zombies, beautiful dead girls, newly-dead and a wide variety of colorful and slimy undead invade the West of Santa Catarina, Brazil. Guts roll while "yerba mate" Cronenberg is consumed by the farmers. But the zombies aren't the biggest problem when all the humans are sadistic and selfish.

In 2002 Petter Baiestorf launched the fanzine "Manifesto Canibal" with notes on how to produce films independently without any resources. In 2004 the anarchist publisher Achiamé ordered an expansion of the fanzine to be published in book format and, thus, the book "Manifesto Canibal" by Petter Baiestorf, Cesar Souza and intervention by Carli Bortolanza appeared. In 2007, already out of print, Petter Baiestorf decided to film the book in the format of an experimental short and what follows here is the result of this iconoclastic experience that kills the gods of cinema.

The Vegetable Monster survived the shot fired at the end of Part 1. Wounded, he is saved by a shy veterinarian who is abused by the rude colonists of southern Brazil, and who will use the alien plant creature as an instrument of revenge.

A day at the beach

A girl is kidnapped by a drug dealer at the behest of a corrupt senator (Coffin Souza), who intends to hold a party in the presence of a demented priest and a doctor using the girl as fun.

Who is Gurcius Gewdner?

Canibal Filmes and Bulhorgia Produções proudly present the most faithful and realistic version, released so far, about what goes on in the mind of the accursed filmmaker Petter Baiestorf. With direction and script by Baiestorf himself and editing by Gurcius Gewdner, the film shows in a clear and objective way the entire trajectory of life, ideology and passions experienced by Santa Catarina. With a soundtrack of impact and moments of joy and anguish, entirely taken from the incredible vinyl collection of Gurcius Gewdner, Palhaço Triste has already been considered the best film of the tireless Canibal Filmes, in 2005

An indigenous community of the Kariri people, located in Chapada do Araripe (rural area of ​​Crato/CE), reflects on water: the indigenous myth of recreating the world together with the waters against the capitalist developmental myth of controlling the waters and the human and non-human bodies that inhabit the São Francisco River (Opará).

A crazy fucking reporter goes to Palmitos to investigate the thoughts of Petter Baiestorf, the insane mind behind the legendary Cannibal Films.

A complex children's fable about world domination with homage to classic black and white horror films and monsters.

A love story, a love triangle that gets soiled with blood with the arrival of a fourth character: a serial killer who collects vaginas. Lesbian couple is chased by lover betrayed in the areas of Weird. Blood and sex in the tradition of the 80's Boca do Lixo films with eschatological scenes and total cinematographic metalanguage.

From the bottom of my hideout, possessed by excitement and curiosity, I behold: mountains of styrofoam and trash freely growing in the fields, in harmony with innocent mammals and chickens, not aware they're being observed.