Film Four International

After his lover rejects him, Maurice attempts to come to terms with his sexuality within the restrictiveness of Edwardian society.

A saga of class relations and changing times in an Edwardian England on the brink of modernity, the film centers on liberal Margaret Schlegel, who, along with her sister Helen, becomes involved with two couples: wealthy, conservative industrialist Henry Wilcox and his wife Ruth, and the downwardly mobile working-class Leonard Bast and his mistress Jackie.

When David, Juliet, and Alex find their new roommate dead with a large sum of money, they agree to hide the body and keep the cash. However, this newfound fortune gradually corrodes their friendship.

Just north of London live Wendy, Andy, and their twenty-something twins, Natalie and Nicola. Wendy clerks in a shop, Andy is a cook who forever puts off home remodeling projects, Natalie is a plumber and Nicola is jobless. This film is about how they interact and play out family, conflict and love.

Two diametrically opposite brothers set off on a journey to reunite with their estranged father but when their motorcycle breaks down while passing through a small town, they become entangled in local life.

A blind man's master told him that after he has broken 1000 strings on his Banjo, he can open the Banjo to get a script for his eyes. After 60 years he broke the 1000th string.

A costume drama / satire about financial skull-duggery, and confidence tricksters in both the upper and lower classes in Victorian London. A working class man impersonates a lord who is supposedly very rich and a financial wizard. As such he is invited to all the best peoples' parties.

A woman attempts to escape her domestic problems by fleeing to New York in search of her father. She finds him, and also new problems, some friendship, a romance, and an unexpected career as pro-boxer, to make ends meet.

In the docklands of East London stands the Empire State, a nightclub full of magic and mystery. Designed like an ocean liner, it's become a battle ground where anything can happen. In the midst of the action, a young boy stows aboard to search for his friend who has disappeared in the entrails of the club.

A brief promotional featurette about the film including comments from most of the cast, as well as from director Jonathan Glazer.

India, 1825: the country lives in mortal fear of cult members known as the “Deceivers." They commit robbery and ritualistic murder. Appalled by their activities, an English military man, Captain William Savage, conceives a hazardous plot to stop them. In disguise, he plans to himself become a “Deceiver” and infiltrate their numbers. Ever present in Savage’s adventures is a sense of dread; he is in constant fear of betrayal and vengeance and also undergoes a disturbing psychological transformation as he experiences the cult’s blood lust firsthand.

Years after her Indian family was forced to flee their Uganda home, twentysomething Mina finds herself co-operating a motel in the faraway land of Mississippi. Her passionate romance with charming Black carpet cleaner Demetrius challenges the prejudices of their conservative families and exposes the rifts between the region's Indian and African-American communities.

Hotel employee Lisa develops an obsession with her co-worker Lance, a struggling actor who has appeared in several films as an extra.

A chef seeks reconciliation with her brother by helping him run a decaying resort and health spa.

Siblings Maisie and Tony, along with their mother, gather for their sister Eileen's wedding. It is a joyous occasion, but through flashbacks, it becomes clear that the family was not always happy. Their father was physically abusive to his wife and left the children emotionally traumatized. As a result, the children have grown into unhappy adults, looking for love they didn't receive when they were young.

A small-town eccentric opens a café in her decaying home.

Bud is a lonely and quiet boy whose moments of solace occur when he sits in rapture at the local cinema, watching towering and iconic figures on the movie screen. The movies give Bud the strength to get through another day as he deals with his oppressive school environment and his burgeoning homosexuality.

Two disc jockeys have a friend's murder to solve in the fringe-group melting pot of 1977 London.

During the Second World War, tens of thousands of blonde, blue-eyed Polish children were snatched from their parents and given to German families. Lebensborn was part of Hitler's plan to expand the Aryan master race within the Third Reich. Eight-year old Jerzy returns home at the end of the war to a joyful reunion with his long-lost mother and grandfather. But problems arise as he is taunted by his peers and, longing for his missing father, burns with resentment for his new communist stepfather.

This revolves around Tim West, an advertising executive who is developing a Channel 4 programme on cooking for terrorists. Disillusioned by the hyper-reality of the media world, he joins Robert de Niro evening classes, but also falls under the pastoral influence of Johnny Morris. From the opening images of night-time, car-ridden streets accompanied by languorous sax on the soundtrack, through to the sub-Chandleresque voice-over narration, Taxi Driver II strikes you with its clever knowingness. But it's more than just a clever nod in the direction of contemporary film noir, just as it's more than an incestuous joke at the expense of the London based media world: it's a telling comment on the contemporary media culture of postmodernism.