Escola Artística Soares dos Reis

Porto, 1988. On the restless quest for ideal love, Amélia sets up a date with Paulo, a guy with whom she has been corresponding for over a year.

Abel doesn't leave his room for 20 years. After the accident, he confined himself to the cloister and his instincts, creating a routine. However, it is when the person who ensures his survival ceases to appear, finishing the food and the drink, that he ends up leaving the alienated state in which he is. Abel goes out to the unknown in order to satisfy his addiction. Without knowing it, he is approaching the abyss.

FUGAZI is an experimental short film that explores the genesis of space through the presence of sound. Inspired by Leibniz’s relational theory, the film suggests that space only exists when it is inhabited, in this case, by sound. Through a sensory and progressive montage, sound reveals, transforms, and collapses space, guiding the viewer through cycles of creation and dissolution. It is an audiovisual experience about the invisible becoming visible when heard.

At the end of a day like any other, a young man arrives home, exhausted. He begins to reminisce about his childhood and recalls some of the many times he was mistreated by his mother. With his nerves on edge, he makes the most important decision of his life.

Short film directed by Carolina Pinto

A reflexion on the themes of loss and grief, mirrored in a family struck by tragedy.

HELLMINTA is the end, HELLMINTA is the beginning; The cycle repeats itself again and again; Thea is hungry and Ethan is meat, and she needs more and more; She's a maneater.

Mars, a teenage girl, travels between her conscious and her unconscious, reflecting about her place and her environment and the role she plays in her own life.

This is a story about memories and first experiences; about friendship, weed, and a lot of pizza. A story about the underground youth.