Silverart

Rowdy Jonas, 11, longs to spend the summer exploring the Slovakian countryside with his cool Grandpa Bernard, but his exasperated mother plans for him to go to the seaside instead. Jonas sneaks away from home and takes the train by himself to his grandpa’s. Upon arrival he finds his grandpa grumpy and moping. Luckily, his brave and tomboyish neighbor Alex befriends Jonas and together they create a scheme to raise money for a raft of their own. Their illegal racket creates an uproar in the village, lands Grandpa in jail for a crime he didn’t commit and causes Alex and Jonas’s friendship to fray. Will Jonas find a way to repair the mess?

12-year-old Sofija is seemingly facing a boring summer vacation with two grandmothers. However, new friendships, a first kiss, and long kept family secrets will turn this summer on the idyllic Adriatic island of Hvar into a priceless experience and an unforgettable adventure.

A wealthy middle-aged man at the airport witnesses a tiny incident involving an unknown, perhaps Arab, young man and airport staff. After the young man is confronted directly at the airport toilets, he feels himself subject to an indefinable but increasingly serious sense of danger. The fear of the evil that had, as it were, encircled the man since then, gradually becomes an obsession. The urgent desire to see the evil, to confront it and destroy it.

After enduring horrors during the War in the Eastern part of Ukraine (2015), three young Ukrainian war veterans return home, both stronger than before and full of scars. They try to find out how to belong in this old but new reality and win their private wars, try to understand how to live civil life. But in February 2022 full-scale Russian invasion of Ukraine started and they are faced with new challenges of reality. What experience do the heroes gain in these wars, and how are they initiated by accepting death?

A story of children who feel safer in the streets than at home, about children seeking out sturdy lifeboats that cross between the world of fantasy and the harsh reality of life. Jarka is one of these children. Ten years-old, and living with a mother who is not yet ready to be a mom, Jarka spends most of her time alone. Pushed by her desire for love and to form a fully functional family, she finds herself substituting a "mother" to two babies.

The father falls into a coma. The mother and son silently concentrate all their powers. They meekly accept the diagnosis but resist the verdict. Yet they reject an open conflict because the life thread is so taut that conflict could inadvertently break it.