Punkchart films

A documentary about the present and the past of Čierna nad Tisou, a border town in the south-east of Slovakia, once the "Golden Gate of Socialism".

A country awakens from a deep winter sleep. An incomprehensible and absurd world slowly unfolds before the camera, imbued with strangeness, even though we are familiar with its sounds, rhythms and colours.

A film essay, a personal story, a tribute to the mothers and families of premature babies, at-risk newborns and the vulnerable disadvantaged.

Mischievously self-assured Mára and somewhat eccentric Heduš set out into the frozen wastes in search of adventure – by car, naturally. After all, Mára’s turning fifteen soon. A road movie about the flies that occasionally buzz around even in winter, and a story that tells of the elusive bond of boyhood friendship and the irrepressible desire to experience something, even if you don't exactly know what.

Martin Kollár’s acclaimed cinematography reigns resplendent in the silent story of a man waiting for important surgery. Discovering he's facing the possibility of only having a few months left to live, Ján Kollár embarks on a journey with no destination and only a deadline.

Sonia Maletzová's documentary film portrait follows the legend of the Czechoslovak music scene, rock keyboardist Marian Varga (1947-2017), at the end of his life, when he was diagnosed with a terminal illness. It captures the great introvert and avid smoker during his last performances, when he slowly began to lose his breath.

This year’s gallery of artistically inspiring portraits of uncompromising eccentrics (among them The Hanging of Stuart Cornfeld, Robert Richardson: The White Devil and A Pint of Ink) features another unobtrusive stand-out in the shape of Igor Luther, a key figure of Slovak and European cinematography. Ivan Ostrochovský’s perspective is rare, dynamic and also meditative, while Luther himself co-authored the project during the last few months of his life. Works such as Juraj Jakubisko’s Birds, Orphans and Fools, Volker Schlöndorff’s The Tin Drum and Andrzej Wajda’s Danton, in the persuasive words of their creators, wouldn't have the same timeless energy today if it weren't for Luther's visionary endeavours.

A grittily realistic tale of prostitution at an Eastern European border town

Ingrid works as a gynecologist in a district hospital in Slovakia in the late 1980s. Her marriage is at a standstill, she has an affair with a younger colleague in the hospital, and after work, she sits on the abortion committee where they offer Roma women sterilization after the abortion is approved. Eighteen-year-old Agáta, who grew up in a children’s home, comes to work as a nurse at the hospital. Ingrid unexpectedly becomes close to her.

The film captures a period in the life of figure skater Ondrej Nepela, when in 1972 he returns with a gold medal from the Winter Olympic Games in Sapporo, marking the peak of his sporting career. At home, he is greeted not only with fame but also with the realities of the communist regime. Everyone treats him like a celebrity, but the sensitive Ondrej longs above all for an escape from this uncomfortable golden cage. He wants to live freely and in harmony with who he feels he truly is. Yet at the last moment, his promised chance to leave for a professional ice revue is forbidden, and he is ordered to compete in another World Championship. Disappointed, Nepela must find new motivation and also come to terms with the tragic death of his best friend, figure skater Hana Mašková.

Incomplete thoughts and fragments of dialogue, diverse music interrupted by rushes and glitches, and the seemingly confused, unanchored camera, create a disturbing, philosophical reflection on the limits of anthropocentric thinking.

Miroslav Válek was a Slovak poet whose sensitive and intimate work clashed with his political engagement in the communist party. How to approach this discrepancy, how to cope with it? Can one read poems while disregarding their author?

A massive segment of the Sun has broken off and is heading for Earth, whose surface is slowly heating up to an unbearable level. A strange mood pervades a debilitated world: anything could happen, virtually anywhere, without warning. Even in a sleepy town, where an 18-year-old lad gets stranded on his way to the family cottage. The fact is that no-one knows at what temperature the human character starts to melt...

On a cold February morning, 12-year-old Niki and his family arrive at the Kharkiv metro station to take shelter from the terrifying war raging outside. For Niki's family, daylight is synonymous with mortal danger, and the boy is not allowed to leave the station premises, living under the constant glow of their neon lights. While aimlessly wandering around the abandoned cars and full platforms, Niki meets Vika (11), and a new world opens up to him. As their bond strengthens, the children find the courage once again to feel the sun on their faces.

For 25 years, Richard Müller has been a key figure in the Czech and Slovak music industry. Despite quitting music once, he returned to the stage while battling untreated manic depression and drug use. The documentary offers an intimate look at his artistic journey and personal struggles, amidst constant fan and tabloid attention. Filmed over three years with over 200 hours of footage, it includes home videos shot by Müller. It follows the tradition of Czech artistic documentaries like Amy and Nick Cave: 20,000 Days on Earth, exploring themes of inspiration and loneliness.

Lesya has committed a crime of passion which brings her a seven-year sentence in one of Odesa’s women’s correctional facilities. She has just given birth to her first child, and now she is entering a world populated only by women: inmates, nurses and wardens, women of all ages, wives and widows, daughters, sisters, pregnant women, and women with children too. If not for the color of the uniform, it would sometimes be hard to tell who is who.

Michal and Juraj, two students of a theological seminary in totalitarian Czechoslovakia, must decide if they'll choose the easier way of collaboration, or if they'll subject themselves to the surveillance of the secret police.

Droneman is about Chemist and Fly Navigator Pavel and his friend Bussinessman and free time Rapper Plech. Pavel has strong sense of justice and wishes to fix wrongs with the World while Plech dreams about Big money and secure life. Their common passion are Drones since School. Pavel returns from Foreign and meets again with Plech and together they use Drones to start Bussiness. They monitor Power Stations, wear luxury handbags at the show or spray the Petrin Tower from the air. Their clients even include Presidential candidate. Everything changes when one of them decides to misuse Drones.

A 12 year old swimming star becomes the emotional casualty of her parents acrimonious separation, in this powerful coming of age story about youth rebelliously standing up to the cruelties and immaturities of adulthood.

Peter "Koza" Baláz is a former Olympic boxer. He and his partner, Misa, live in a dilapidated housing estate, constantly struggling to make ends meet. Misa learns that she is expecting a child and decides to terminate her pregnancy. In order to earn some much-needed cash and possibly change Misa's mind. He and his manager Zvonko embark on a "tour", where success is not measured in victories, but in the amount of blows that Koza can take.