5à7 Films

In the French countryside, wild boars ravaging crops spark an open war between farmers and members of a gentlemen’s hunting club, who feed the game between hunts. Brun, a bankrupt farmer, struggles to keep his farm afloat. When the club’s president pushes him to his limits, Brun shoots him and disappears. A year later, Fulda, a volatile police officer just transferred to the region, leads the investigation. Still struggling after a recent breakup, and as wild boars proliferate across the region, he is pushed to the brink of sanity.

Lea starts a job as a cashier in a big supermarket chain. During the adaptation and learning process, and under a layer of apparent normalcy, she is gradually confronted with the insensitivity to which her coworkers, all women, are subject in the name of efficiency and productivity.

In 1983, French actress Maria Schneider gives an interview for the TV show Cinéma Cinémas. The conversation takes an unexpected turn when she challenges film industry practices and is asked to talk about the controversial film Last Tango in Paris (1972).

For decades, Le Tango, a legendary LGBTQ+ dance hall in Paris’s Marais district, welcomed everyone who loved to dance, regardless of gender or orientation. When the building was put up for sale in 2020, its music stopped, threatening to erase a vital community refuge. This documentary traces both the vibrant history and the fierce fight to save this iconic space. Through personal stories from regulars and activists—Grégoire, Giovanna, Christian, Livia, and others—the film revisits nights of drag balls, Dalida tributes, and joyous Madisons, revealing how Le Tango became a symbol of freedom and belonging. As filmmaker Antoine Vergez follows Hervé and the Tango 3.0 collective’s three-year struggle to reopen the club, the film becomes both a love letter to queer nightlife and a chronicle of collective resistance to cultural disappearance.

Over the last 4 years, Lilou left her secret life behind, becoming a 64-year-old woman who enjoys DIY, gardening, cycling and looking after her grandchildren. As I accompanied her through her transformation, I filmed a family healing its wounds and reinventing a place for everyone. This is my family, Lilou is my father.

After several years of absence, Gibran returns to Los Angeles with the goal of saving up to purchase land in Tecate, the village where he was born in Mexico. As he organizes his departure, he rediscovers the emotional and historical ties that bind him to the United States.