Pontificia Universidad Católica de Chile

Ana Luisa is single and has been getting up early to open the hairdresser's shop in her living room for 30 years. Tato is married, and has been getting up even earlier to go to the Brasil neighborhood and attend Ana Luisa's hairdressing salon for 40 years. Hairstyles and cuts, it is the only thing left to offer. The hairdresser's is her refuge in the middle of a neighborhood that has become too young for their eyes. Among those who visit them is Aurora, a goddaughter who offers Ana Luisa an opportunity to try to revive the business. The plan is simple: she makes some flyers to be handed out in the square. Ana Luisa doesn't see the point of trying something like this, Tato believes that nothing is lost. They agree on one thing: handing them out will mean accepting anyone who wants to go for a cut, even the young people who they say mistreat the neighborhood.

Two women are traveling through a coast road, evading the pain left behind. The trip is interrupted when they see an old lady running at one side of the road, in front of the car. This encounter marks the beginning of the rest of their lives.

In some distant place in Patagonia, NAZARIO (46) takes a lamb to his lair, where he strips it of its meat and guts. After the butchering, he throws the animal's skin into the river, unaware that dark magic will make it reborn to take revenge in a card game, where Nazario's life will now be at stake.

Antonia is celebrating her daughter Colomba’s birthday at her sister Angélica’s house when she hears that her father is on his way there. Antonia tries to avoid it, attempting to convince her sister to uninvite him due to a lawsuit against the man, yet Angélica insists on defending him. Between candles, candy, gift bags, and a piñata; Antonia ends up confessing a secret that she’d been keeping for years.

Photographer Patricio Guzmán Campos has died in exile. Silvia edited his retrospective book a few years ago and after learning about Patricio's death, she sits down to read again the letters he sent her, in which he reveals the feelings and reflections provoked by facing his photography during the process of making the book, where he sees a place that has been taken away from him, but which he tries to hold on to through his memories.

Lucía (16) reunites with her sister Ema (17) after years apart. A journey through their rural birthplace brings present and past together, leading them to a difficult truth.

In a fishing village contaminated by a thermoelectric power plant, Mecha (33) is the grieving soul of an environmental activist who died under suspicious circumstances. The day after his death, she tries to reconcile with her son Juan (16) and to make him take charge of her memory.

Hannah is a young autistic woman who is about to be expelled from her university, after her partner Fernanda accused her with Professor Miranda for inappropriate attitudes.

A non-binary folk watches the handover of the first non-binary ID in the history of Chile. As they try to do the paperwork, they will face the bureaucracy of the legal proceeding.

Igor has a secret that he doesn't want Nicole knew: he doesn't want to reveal that he is a victim of bullying, This implies a strong fight between them for his intentions about his secret.

In a dystopian Chile, during Pascual's birthday (18), his friends come up with a game: to do a panty hunt in the building where the single women have just arrived. Pascual cheats to avoid hurting a woman and is discovered by the 19-year-old Zángano, who threatens him by telling him that if he doesn't hurt a woman, he will hurt his younger sister Olivia, aged 12.

Jaime, who’s been away from the city by his own free will, invites his family to watch an eclipse at his house on the mountains. The tensions in the group are apparent, but they slowly vanish, reaching the most transparent moment among the eclipse’s darkness.

José Luis (19) works at a gas station. There he meets Amaro (48), a wealthy client with whom he initiates a sexual and emotional relationship. José Luis falls in love with him and receives his financial support, not knowing that he maintains this type of relationship with other boys like him

In the middle of a blackout, the night before his father's funeral, Felipe arrives at his mother's house after a nine-year absence. There he waits with his sister, his aunt and the maid, with a dinner made especially for him. Although Felipe only is coming for a short time, his mother and sister will draw him back to the house he once left.

A man secludes himself in the forest with his cat. The ghosts of his past begin to torment him, being forced to face his fears and guilts in a try to not be consumed by madness.

Jorge, a 75-year-old retiree, spends his days watching television on the bed in which his wife died. His family tries to convince him to get the bed out of there, without receiving an answer from Jorge. Finally Jorge will embrace the most vulnerable side of him by deciding that they can take the bed.

Chile, 2038. Revival is the technology of fashion. A virtual reality device that allows people to relive moments of their past, as if they were living it again. Émile, a young Haitian who is collecting money to bring his mother from Haiti, discovers that someone from his job in a vineyard is interfering with his memories in his revival. Searching for answers, Émile discovers the disturbing truth that was hidden.

Samanta, a girl from the streets, lives with Profeto, a Peruvian immigrant who adopted her as his own daughter. One night, Profeto tells Samanta that his wife and daughter have arrived to Chile to live with him. Their presence threatens Samanta’s permanence so she starts to despair and act self-destructively, trying to call Profeto’s attention and not lose her recently found home.

Demoni through a performative act reflects on the musical genre shoegaze, from the deformation of the image and the distortion of the audio to generate its own chaos that leads to a comment on cultural hegemony in Chile.