It tells the story of Marcos and Ana, who have been married for more than 25 years, but enter into an existential crisis that leads them to separate. The life of singles seems fascinating and exciting at first, but soon it also becomes monotonous for her and nightmarish for him.

Ángela Ferrer lost her grandson during the Falklands War. A year has passed since the end of the war, and Ángela has not resigned herself to accepting her grandson's death, much less to not being able to visit his grave and pay him the tribute she considers more than deserved. Today, Ángela searches the cemetery for an abandoned grave that could serve as a space to visit her grandson. Finally, she decides on one that shows signs of neglect. She refurbishes it and leaves behind a small painting she made, in which we see a sailboat sailing across the sea. These visits take place weekly, while Ángela continues her daily routine, until one day they are suddenly interrupted.

Ale was a thief and the police shot him in a raid after he was betrayed. A puzzle of visual and testimonial elements takes us deep into this unsolved story. Based on a particular event, 
Orione faces us with situations we would rather not see.


After suffering the Holocaust, Sara Rus emigrated to Argentina where she was an activist in Madres de Plaza de Mayo Línea Fundadora for the disappearance of her son Daniel during the military dictatorship. Her mission is to keep the memory alive. Her granddaughter wonders what to do with her grandmother's memories and experiences, what is the exact distance from the past, what to do with that legacy.