A man, Francisco, works in an open-pit mine. He goes to see his boss about taking the following day off. At first the boss doesn’t want to allow it as there is so much to do, but he finally concedes. The next day his daughter calls on him, a visit he no longer counted on. They spend the day with one another. The longer they are together, and the later the night gets, the more absurd the situations and moments they experience become.

After finishing his MA in Anthropology, Hugo spends his days giving his brain a rest from the endless reading of texts by unknown authors. His only company is Luisa, the cleaning lady, with whom he plays cat and mouse. To escape the sleep of reason – which creates monsters -, Hugo exercises his lyrical vein by writing, with his friend Manuel, songs about their neighbourhood. The quiet dilettantism of our protagonist is shaken by Catarina, a young and beautiful translator who’s starting her professional life as a freelancer. Hugo is hooked and wavers. High above, a kestrel falcon hovers. It’s not the only bird of prey that can do it.

Ubi Sunt. Porto. Cartography of an imaginary place attracted by the margins (social and geographical) Hybrid and eclectic project, it is the outcome of a audiovisual research residency of humam and urban exploration of an expanding city. Ubi sunt qui ante nos fuerunt?, meaning "Where are those who were before us?". Reflective essay on mortality and life's transience, it emerges from that dialectic, of a and episodic and fragmented structure with a choreographed cinematography; where the memory intersects the contemporary.

The panoramic shots are breathtaking: a majestic mountain landscape in winter, flat-roofed tin shacks cowering next to one other, women perched on steep slopes using primitive tools to break through pieces of rock. La Rinconada is situated over 5,000 meters high in the Peruvian Andes, on the edge of a gold mine. This 21st century El Dorado is an inhospitable place, where untold numbers of people live and work in the most precarious of conditions, hoping both for gold and a better life. Salomé Lamas has constructed a cinematic diptych to convey the extremity of this situation and the dimensions of its misery without having to resort to graphic images.

Patrick, 20-years-old, lives in Paris with his older boyfriend. He runs a teenage pornography website, which results in a prison sentence following a raid at a party. Mário, 8-years-old, was kidnapped 12 years ago in Portugal. Patrick and Mário are the same person with two conflicting identities: a life in Paris filled with parties, drugs, and promiscuity and a new rural life in Portugal, where he feels obliged to reconnect with a broken family.

Tiago is a final-year secondary school student who has failed to graduate twice. Despite praying to the divine, he will fail once again. Between lying to his benevolent mother and giving in to the temptation of a school trip with his girlfriend, Tiago is faced with making decisions. Tiago may not be a lost case.

Francisco, behave! I Know it's your birthday, you are thirty now, it's carnival, you've dressed as a cowboy for the school party and you are surrounded by kids you hate. But that's no reason to be so annoying... Francisco, repeat after me: "Up to your 30s you have the face God has given you. After that, you get the face you deserve".

A bear is sighted somewhere in the northwest of Trás-os-Montes. The animal causes a natural uproar, but his existence seems to be called into question by some.

In the middle of the night, Magloire is smoking a cigarette in an abandoned train station when the police shows up for an ID check. He starts running with no luggage, no future until he meets a dying man from whom he inherits a fortune. Magloire is now pursued by a gang. He becomes their hostage, but accomplice too. As he doesn’t anything to lose. Like someone who gets away with everything, someone with no expectations…

The start of Luís Rovisco’s old age isn’t exactly cheerful. Already in his sixties, he’s still roaming the country by himself, carrying out his tasks — increasingly less real — as sales director for the company SegurVale. Sadness, resignation? Not with the songs Luís makes up behind the wheel, and that take over this film from start to finish.

Rita is fifteen and spends the summer between warm afternoons of teenage love and party nights with her friend Sara. From Portugal to the South Pacific, the pleasures of this routine will take a turn when the young girl visits the art show of a new neighbor in the local community.

Lisbon, Portugal, 2010. Pilar, a pious woman devoted to social causes, maintains a peculiar relationship with her neighbor Aurora, a temperamental old woman obsessed with gambling who lives tormented by a mysterious past.

Three people in a car, who will stay there the longest, wins the car.

In 1971, António Lobo Antunes' life is brutally interrupted when he is drafted into the Portuguese Army to serve as a doctor in one of the worst zones of the Colonial War – the East of Angola. Away from everything dear he writes letters to his wife while he is immersed in an increasingly violent setting. While he moves between several military posts he falls in love for Africa and matures politically. At his side, an entire generation struggles and despairs for the return home. In the uncertainty of war events, only the letters can make him survive.

About three generations of a family grappling with a life-changing experience during one day of a vacation in the historic town of Sintra, Portugal.

Tiago, a tour guide with a broken heart leads Karen, a grieving and aging Brazilian woman, around a Lisbon of strange suicidal heroes. Tiago lives with his father, Raul, an old sailor haunted by historical defeats, and with his son, Manuel, a teenager fantasising of a solitary, but erotic, trip to the cosmos. All together, they take Karen through dreams, lost glories, and catastrophes to meet a fallen hero who disappeared many centuries ago on an island in the South Atlantic Ocean.

Jorge, a very shy young man, works as bellboy in a Lisbon hotel and lives in a guesthouse where he is constantly harassed by the owner’s daughter. As he tries to resist her charms, the boy dreams of one thing only: to incarnate the singer Tony de Matos. This obsession leads him to sign up for an unique karaoke contest, where he will finally be able to give life to his longtime hero. And it’s amid a group of strange characters that Jorge will understand that, after all, he is not alone.

Mateus Lagoa and his wife Irene will celebrate their 20th wedding anniversary at a most luxurious resort on a tropical island, leaving their teenage son dangerously adrift. Before departure to paradise, during an unexpected night spent apart, the side effects of the vaccines strike them - fevers, fainting spells, shivers, hallucinations of all sorts. A melancholic mood creeps in and their world seems somehow fractured, capable of unsuspected and dangerous promises.

'In the course of my cleaning duties, I examined the belongings of each guest of the hotel and observed through the details, lives that will remain unknown', says the temporary Chambermaid in a large seaside hotel, which, unable to communicate, lives through a rigid methodology of analysis of the exterior and a ritualised quotidian. Until the uncontrollable comes to disrupts this dynamic. Hotel Royal is fragmented and incomplete mosaic of contemporary societies. It could be dubbed a film about the horrors of the soul, about voyeurs or simply about misfits.

Ramiro is a bookstore owner in Lisbon and a poet in perpetual creative block. He lives, somewhat frustrated, somewhat conformed, between his shop and the tavern, accompanied by his dog, his faithful drinking companions and his neighbors: a pregnant teenager and her grandmother recovering from a stroke. He would gladly continue living this quiet and somewhat anachronistic routine if events worthy of a soap opera did not invade his bubble.