Pathé-Natan

The young and patriotic student Demachy joins the French army in 1914 to defend his country. But he and his comrades soon experience the terrifying, endless trench war in Champagne, where more and more wooden crosses have to be erected for this cannon fodder.

Philippe Lutcher, an anarchist, fires a shot at Clara Stuart, a famous stage and screen actress, but only wounds her. The star, through affectation and curiosity to know his motives, pleads in his favour at his trial, but he rebuffs her pity. After he has served 18 months in prison, they meet and fall in love.

Koenigsmark is a 1935 British-French drama film directed by Maurice Tourneur and starring Elissa Landi, John Lodge and Pierre Fresnay. The film is based on the novel Koenigsmark by Pierre Benoît. It's sets were designed by the art director Lucien Aguettand. The film was known in the United States as Crimson Dynasty.

In 19th century France, Jean Valjean, a man imprisoned for stealing bread, must flee a relentless policeman named Javert. The pursuit consumes both men's lives, and soon Valjean finds himself in the midst of the student revolutions in France.

The ladykiller friend of a busy diplomatic attaché follows a masked blonde home after an elaborate ball without knowing she is that man's wife.

Escaping from a policeman who has caught h.im with a stolen dog, Toto (Albert Préjean), a petty crook, hides in the apartment of a typist, Ginette (Renée Saint-Cyr). The two quickly fall in love, and after a brief incarceration, Toto returns to her and schemes to have her win a beauty contest.

In the snow as bells toll, a hooded figure makes its way through the streets to a church.

In this fast-moving fantasy, an unsophisticated student escapes from a boarding school to become, after many trials and tribulations, the "toast of Paris."

Banker Jules Taffard, a true financier, is a shrewd money-handler. Imprisoned for an alleged swindle, his trial seems to be upsetting those in the government, who may not be so far removed from Taffard's affairs (Affaire Alexandre Stavisky). He escapes from La Santé prison without any difficulty, and the authorities don't seem to be doing anything to find him... Under the false name of Gédéon, he becomes a modest handyman in a corset shop run by Madame Génissier, whose morality is as pious as it is legendary. Her son, Hector Génissier, is a foolish young man with no ambition, much to the regret of his young wife, Fernande Génissier. But it won't be long before Gédéon shows his skills in expanding the modest family business. How far can Gédéon's ascent go before Taffard's voice resounds through Gédon?

An opera singer travelling with her company on a passenger ship encounters a mysterious young man who she falls in love with.

The Last Billionaire is a 1934 French comedy film directed by René Clair and starring Max Dearly, Marthe Mellot and Renée Saint-Cyr. The film is based on a fictional small European kingdom which is on the verge of going broke. Its French title is Le dernier milliardaire.

A silent film theater projectionist is kidnapped by a gangster group, so he can show them footage of a Dutch jewel dealer they want to steal from. The head gangster's sister helps foil their plan.

During the First World War, before joining a squadron at the front in 1918, Herbillon (Jean-Pierre Aumont) has a liaison with Helene (Annabella), a married woman. The young man discovers that his mistress is none other than the wife of Maury (Charles Vanel), an aviator friend.

What starts off as a conventional travelogue turns into a satirical portrait of the town of Nice on the French Côte d'Azur, especially its wealthy inhabitants.

Mother of a young boy, Jackie, Véra Latour asks her husband, Pierre, a famous aviator, to stop performing stunts where he risks death for pleasure. Pierre reluctantly agrees, and it is his friend Bob Deschamps who wins a trophy during a meeting. However, Vera, who never wanted to experience her first flight with her husband, allows Bob to take her up in his plane. When Pierre finds out, he immediately sets off with his loyal mechanic Robert Nourry on a long flight across the Atlantic. After hours of anxiety, Vera learns that her husband has successfully reached New York. Upon his return, she welcomes him as a victor.

The life of disorderly soldiers in the barracks dealing with daily routines.

After his engagement party with beautiful Aline, Claude, a struggling writer, meets his two closest friends. The trio sets up a daring publicity stunt, involving a fake murder. The scheme backfires as the fake victim gets really dead.

Tartarin is the local hero in the small provincial town of Tarascon. He shows off about imaginary adventures in Africa, where he has never been, as a Lion Hunter, which he is only in his imagination. Even though the locals know he has never been to Africa, they keep hoping he will leave one day. After a misunderstanding, and much gossip, everyone thinks that Tartarin plans to actually take the trip.

This relatively straightforward dramatic biography was one of two films commissioned to honor Joan of Arc on the 500th anniversary of her death, but it was soon undeservedly relegated to obscurity in favor of Carl Dreyer's triumphant 'La Passion de Jeanne d'Arc'. The comparison is unfair: Dreyer was an artist, but director Marco de Gastyne certainly proved himself a distinguished craftsman, and his emphasis on the Maid of Orléans early life in Domrémy serves as a picturesque, matching bookend to Dreyer's impassioned courtroom drama.

Young love blossoms between a salesgirl and a handsome man on the French Riviera.