One of the first (and perhaps therefore ambiguous) approaches to homosexuality in Spain at the time. The film narrates in cinematographic form the problem of the third sex, its justification and its existence within a real environment that is society itself. Two parallel worlds are shown to us; one, the hard and professional life of some artists who try to put on a 'music-hall' show. The other world is independent but it shows us what the life of an old glory was like, of an old man who was an artist in his time. Comparing one era with another is the intention of the film and ultimately its plot.

In 1939, in a French prison camp, José Garcés of the defeated Spanish Republican army raises the spirits of his fellow prisoners by telling the story of the year he was 8 years old, 1911, in a small town in northeastern Spain. He was a rascal, baffling his father, always in trouble, and in love with Valentina, a neighbor girl. On his roof top at night he sends semaphore messages to her. He writes poems. He gets them into trouble, killing her father's breeding pigeons. When the two families camp at a decaying castle, his tutor, a sympathetic priest, tells him about the most valiant men, the saints, the heroes, and the poets. Already a poet, he learns a lesson about being a hero.

A group of friends finds a dilapidated place and decide to repair it, paint it and live in it in communal plan. The problem is the bank, owner of the premises, does not want them occupied so they threaten to call the police to evict them.

Three friends get involved with arms traffickers in Tangiers.