An audiovisual symphony that delves into the industrial, agrarian, and cultural fabric of the Donbas region during the inaugural Soviet Five Year Plan. It spotlights anti-religious campaigns, propagandistic marches, and the vibrant athletic culture of its time

Once upon a time, the father of Ostap left a village and came to earn in Donbas. They lined up a shanty, which began to be a miner's settlement of Sobacheevka. Ostap went on the way of his father, working for thirty years as a miner’s assistant. And when his father was driven out of work, Ostap understood that it is senseless to blame the troubles only on the master.

The film’s content makes no concessions to the usual expectations of Soviet audiences of the 1930s. The cast of characters is extremely unlikely in almost every conventional respect. The action involves the household of the prominent Dr. Stepanov and his young wife, Masha, who share their large and richly adorned mansion with the parasitical Fedor Tsitronov, whose presence in the household is given only the most implausible of explanations. Equally implausible is the acquaintance of the family with the young and proud Grisha Fokin, whose leadership role in the Young Communist League is never clearly defined and who is never seen engaged in any work or professional activity.

Propaganda film on the participation of Komsomol members in the restoration of the coal industry of Donbas.

About a merry, smart boy Tom Soyer, that, testing, as him it seemed to, all facilities, to be good, decided nevertheless to go away from home and become a marine robber.

Wartime documentary by Dovzhenko and Solntseva.

A peasant visits the DneproGES construction. Agitprop film about industrialisation and Dnieper Hydroelectric Station construction.

The end of the 1920s. Lumbermen of small American village begin a strike. The strike committee included communists, the Smith brothers and the black lumberjack Murray. The fascist Dan dismisses rumors about a affair between Murray and a white girl, Gladys, the sister of the Smith brothers…

This film is the first adaptation of an operetta written by Ukrainian composer Mykola Lysenko. It follows the trials and tribulations of Natalka and Peter (Petro). The sweethearts planned to get married; however, Natalka's father does not approve of the marriage because Petro was not affluent enough to keep Natalka in the manner he thought that she should be kept. Petro goes off to earn the required fortune.

The life was cruel with Ivas. The landlord sent him at war, and his girlfriend – in the house of ill fame. In the troops an ordinary peasant gets acquainted with an ideological revolutionary and becomes inspired with the feeling of inequity to the existing social structure. And when the time comes to return to the native village, he will make the sir pays by his blood for all wrong-doings against the peasants. A film based on works and biography of the Ukrainian poet Taras Shevchenko (1814 - 1861).

On the upbringing of a sense of camaraderie in Soviet schoolchildren.

In the late 1920s Jewish girl Dora falls in love with a young Russian Komsomol member. His parents,who are captive to religious superstitions, don't like Dora. She still goes to live with him and will find herself facing those superstitions in her husband home too.

Historical-revolutionary film about the struggle of the Bolshevik underground against the interventionists during the civil war in Odessa, about the participation of children in underground work.

Based on the Mykhailo Kotsiubynskyi’s novel. At the distillery farmers begin to strike. Local rich men without punitive detachment begin reprisals from rebels. Punitive detachment of dragoons, who called from the city, only completes the massacre.

In the first half of the 17th century, the peasant Nazar Stodolya, sentenced to death by the Polish magnate Haletsky, is rescued by his friend Hnat. Later, Nazar and Hnat find themselves in the estate of the Ukrainian centurion Kichaty. The centurion, having invited a priest, persuades the fugitives to sign a paper stating that they have voluntarily been assigned to Kichaty's estate. Hnat does not sign the paper, and Nazar, falling in love with the owner's daughter Halia, easily puts his signature and thus falls into another bondage. Soon, Hnat leads the people's struggle against the oppressors, and Nazar and Halya join the rebels.

The clockmaker practices what is known as \"parental rights\" – he mercilessly beats his son Boris for every misdemeanor. The boy grows up intimidated, angry, trusting no one, and befriending no one. One day, while the students at the polytechnic school where Boris studies are busy with a physical education class, he deliberately destroys a model that the students have worked so hard to build. The teacher prevents a cruel punishment of the culprit. The school community takes on the responsibility of re-educating Boris. Considered lost.

A wartime documentary directed by Alexander Dovzhenko and Yuliya Solntseva, depicting the final campaigns that drove Nazi forces from Ukraine in 1944–45. Combining frontline footage, liberated cityscapes, and scenes of returning civilians, the film chronicles both the devastation of occupation and the triumph of Soviet arms. It stands as both a historical record of the Ukrainian front and a patriotic celebration of victory at the close of the Second World War.

The end of the 1920s. The capitalist world is in crisis. The fascists unleash war against the Soviet Union. The enemy attack interrupts the peaceful labor of Soviet people. Hundreds of production workers join the Red Army. At the front go Red Army units, columns of tanks, units of the people's militia. Enemy airplanes appear over the Soviet city, black bomb bursts are rising. The streets are moving mournful funeral processions of the first victims of the war. At the end of the movie, a worker appears on the screen, appealing to the audience to be ready for the war, which has not yet come, but will come “maybe tomorrow"

The cadet Vasya Yarochkin and his girlfriend Olya attempt to catch an escaped stallion named "Intriguer".

To help out his friend Lenya, Yura steals a Stradivarius violin belonging to the professor from his grandfather, a violin maker. Having learned about everything, the professor begins to study with the talented Lenya. Circus performers persuade Lenya to give up the violin and perform in the circus...