CL Productions

The few survivors of a deserted city, sometime in the near future, are left with no water or food but somehow manage to survive. In a hospital, a lonely scientist, Foteini, is helping a patient with amnesia to recover. She also meets an actor named Aias (Ajax) – who often visits his sick sister – and becomes romantically involved with him. Foteini is swept away by love; Aias, however, is unprepared for such strong emotions. Their separation brings Foteini to the house of the amnesiac, and he takes care of her, up to the moment that she discovers a photo of hers among his things. In the meantime, Aias brings his sister back home from the hospital. While it is getting darker, with clouds gathering in the sky, Foteini and Aias wander the city and meet in the rain.

A group of young boys must decide whether to buy a TV set to watch the launch of Apollo 11 or visit Uranya to learn about the secrets of love.

Twice-orphaned Jace, a seven-year-old Albanian of Greek origin, witnesses a massacre that wipes out his entire foster family in Argyrokastron, and then falls in the hands of a bunch of ruthless gangsters who "export" children abroad for various profitable reasons (ranging from beggary to organ trade). Jace ends up in Athens, Greece, begging at street corners, exploring the secret horrors of brutal institutions for young offenders or, much later, serving obscure patrons, in an underworld where violent loss seems to be his only destiny. The movie follows Jace's inverted Odyssey in a dark universe of abuse, murder and fear, as he desperately (and silently) seeks for a "family" of his own or, at least, for a sense of belonging

Contemporary Athens: A gang of teenage thieves and romantic anarchists test the limits of their youthful rebellion and play out their own tragic spring awakening against the backdrop of a dying city.

Andreas is a big broker. He loves his wife, admires the "fairer sex", believes that women are won with money, that tax evasion is a contribution to economic development and he would give his life for his friend. He faces the crisis as if it never came. He offers "fillets", such as the area surrounding the Acropolis to German and Arab investors. He can't live without his best friend, Makis, also known as Tiger, whom he has "rewarded" with the position of President in his company to sign the agreements, which of course leads him to prison at the most crucial moment, when Akalyptos prepares the big trick, with which he will "catch the good one" once and for all...

The film follows the parallel and entwining stories as well as the common fates of some very different young people for 24 hours in the summertime: from the prison to the corridors of the airport and from the Saronikos beaches to the Psiloritis mountain. The common characteristic of the heroes is that they have inherited from their nefarious parents various problems. In spite of the fact that they used to be neutral, due to specials conditions they will be forced to grow up.

During a strange night, a prostitute, an opera singer, a fortune teller, a travel agent, a police chief and an insomniac meet by chance.

One stormy winter night, soaking wet 20 year old Ilias arrives uninvited at Petros’ house. Ilias’ erratic behaviour causes much concern to Petros. He vaguely remembers meeting Ilias one night some years ago, in a gay bar. As the night goes on, unsettling truths come to the fore, and as much as Petros would like to be rid of his guest, some truths will stay with you forever.

A group of Greek solders, who serve their military service in Kos, is sent to guard the skerry of Pitta. Everything looked normal until a Turkish boat disembarks 4 castaways on Pitta.

Chronis, Vaillia and Elftheria are not "IN." They are not featured in glossy magazines. They don't have perfect bodies, they don't make love on the first date. These three characters will cross paths.

Documentary that recounts the ups and downs of the shooting of Eternity and a Day (1998), focusing on the exhaustive preparation of the shot-sequence that closes the film, and the peculiar way in which Theo Angelopoulos works with his technical team and actors.

Two people, alone in a desolate city. Costas and Anna in Athens. Costas is an engine driver. The trains he drives travel from one end of the city to the other, following the traces of the ancient rivers that were paved over and made into roads. Anna sells ferry boat tickets at Piraeus, the city’s main harbour, the place where the rivers once flowed into the sea. Costas knows Anna. He sees her every morning, waiting on the platform for his train to take her from Thiseion to Piraeus; and he sees her every afternoon, when his train takes her from Piraeus back to Thiseion. Anna doesn’t know Costas. From the window of the train car she looks out at the same desolate city every day, without knowing who’s driving the train. When something happens to turn Costas’s life upside down, he decides to reach out from inside his solitude and talk to Anna.

Athens, today. Three siblings face the prospect of selling their family home. The potential buyers will tear it down and erect a modern building in its place.

Electra is an ordinary woman, without any karmic connection to the tragedy of her name. The most important relationship in her life is with Petros. However, he announces their separation on her birthday with a phone message while her friends are preparing a surprise party. The message is heard by all her friends except her, who is absent. They decide to hide the incident from her, in order to celebrate her birthday first. Thus, all the misunderstandings begin…

The film – documentary “Shooting vs Shooting” presents a group of astonishing stories about journalists who were afflicted in the Iraq war, by following a journalist’s journey in Baghdad in 2009 and the story of a mother who seeks for an answer to the question why her son got killed while his only weapon was his camera. “Shooting vs Shooting” narrates incredible moments and adventures, reveals unknown sides to the facts and shows the dramatic stories of media workers who lost their lives, trying to freely broadcast the truth to the public opinion. Through the documentary, we witness the absurdity of war, the responsibilities of governments and armies and the atrociousness of blinded fanatics.

A group of friends decide to marry

Irina returns to Athens after long absence to find her step-brother. Her brother's friends, an American musician, a young Russian, a heritage-suitcase of her father and a series of odd events drift her into an inner journey...

Fedonas and Anastasia's life together is only just beginning; madly in love with plans for a family they find themselves a big house to start their new life. But when Fedonas decides to plant a palm tree in their backyard the garden gives up a long-buried secret and with it comes some unwanted attention from the police and the local mafia. As the landlord had warned them "Never dig... in someone else's garden!"

Makis , a man with difficulties in the stock market, falls for Roula , who is the mistress of a big tycoon , which Makis has invested in. Makis becomes witness to an assassination gone wrong. The police are after him thinking he is the shooter but the real assassin is after Makis to recruit him to his terrorist beliefs. The only comfort Makis can find is Roula who follows him on his deadly adventure.

1957, Drapetsona, a working-class suburb of Piraeus. Katy feels stifled by her futile, enervating and almost ridiculous day-to-day life. An old dress becomes the pretext for the young girl to attempt what her mother dared not: to claim the right to living and not merely existing, or at least a simple stroll in the port.