UCLA Film and Television Archive

Film noir expert Eddie Muller and others discuss the classic film Trapped.

From 1915-1939, Frances Marion was one of the most powerful talents in the movie industry. In one of the most liberating eras for women in film, she wrote more than 200 movies and was the world's highest paid screenwriter - man or woman. Kathy Bates gives voice to Marion's words from her letters, diaries, and memoirs. Includes commentary by silent film historian Kevin Brownlow, critic Leonard Maltin, and Marion's celebrated biographer Cari Beauchamp. Current women filmmakers reflect on the legacy left to them by Marion and the pioneering women of early Hollywood.

Clara Bow: Discovering the 'It' Girl features scenes from 25 of her films, as well as interviews with family members and acquaintances.

Blonde, beautiful and talented, Marion Davies was the first and funniest screwball comedienne. As star of two of the best comedies ever made, Show People and The Patsy, she combined zany slapstick and exuberant mimicry. Glamorous, witty and kind, both on screen and off, Davies was also famous for her 35-year-long love affair with William Randolph Hearst.

The story of one night in the lives of a group of young Native American men and women who have left their reservations and are now living in the Bunker Hill district of Los Angeles.

A documentary by Steven C. Smith and Alan K. Rode featuring interviews with Chris Wrather and Gretchen (Castle) Bernfeld.

A documentary by Steven C. Smith and Eddie Muller exploring the life and work of author Cornell Woolrich.

Steven C. Smith and Alan K. Rode’s documentary about director John Reinhardt.

A UCLA student film by Ronald Raley. Fellow UCLA student Jim Morrison (future member of The Doors) participated as the director of photography. A faux scientific film supposedly made by the "California Institute of Neuropsychiatry." An arrogant scientist, who also narrates the course of the "treatment," picks up a Hollywood street hustler and gets him to agree to a program of retraining. Using shock treatment, the patient is taught to loathe images of himself as a male escort and love the new personality created in the lab.

Color UCLA Student Film, Preserved by the UCLA Film and Television Archive. Deliciously unruly live action opera/disco/rock and roll fantasy starring a Pepto Bismol-pink classic DeSoto (circa late ’40s) and featuring an on-camera dance solo performed by the director herself