Mil Grullas Cine

An investigation about a transmission parallel to that of man’s arrival to the Moon, captured by a radio ham from Avellaneda, confronts the director of Channel 54 with a series of conspiracy theories and mysterious figures. Doing so also means questioning the nature of the images.

Dismantling the home of some who is no longer here is an act of love, of memory, of mourning. July passed away recently; the camera moves around her apartment and is placed on a series of objects that act as keys to open the door to her intimacy. The voices of those who have loved her guide us while they try to prolong the farewell. In the memories they evoke, to some people July is still Julio, and those names and pronouns that blend reveal the difficulties of embracing one’s identity as a trans woman. During the journey, July’s figure is slowly brought to life, as in an invocation, called on through words, but mainly through her spaces, her things, her photographs, her wigs, her clothes, her favorite music. And a biography is weaved together, one which, like that mirror that still hangs on her wall, reflects the history of an entire community.

Two friends travel to sing at a wedding and reencounter themselves with old stories and new problems.

Plunged into a crisis on his wedding day, Leonardo Pantonne turns to his brother Javier for support and takes refuge in his home. In the midst of the chaos, they try to contain the overflowing scenario, but it will be the young children who will prove to be the only ones capable of solving such a situation.

The same character immersed in different eras raises a big question: if we had been born in another time, would we be the same? Our experiences, experiences or relationships, the way we bond emotionally and emotionally, would they have been the same in another context?