Studio Troitskij Most

The year is 1949. One of the last outbreaks of Stalinist terror was a bloody buffoonery under the auspices of the fight against cosmopolitanism. In the Writers' House near Moscow, where a young writer finishes her story about her husband's arrest and death, there is a painful atmosphere of fear, suspicion, suspiciousness and foreboding that can drive you crazy...

Srubov is a part of CHEKA, the secret police Lenin established after the Bolshevik Revolution. They arrest, interview for a minute, try in ten seconds, and execute intellectuals, aristocrats, Jews, clergy, and their families. In the building basement, five people at a time are shot as they stand naked facing wooden doors. No one to remember their last words; no martyrs, just anonymous bodies. Daily, the kangaroo court, the executions, the loading of bodies onto wagons. Srubov is cold, distant, sexually dysfunctional, and a deep thinker, hated by former friends and his family. As he tries to reason the nature of revolution and the purpose of CHEKA, he slowly goes mad.

Ana starts falling in love with an ecologist engineer that comes with her father who is from Russia.