The tradition of hazing in university halls of residence is the catalyst for a nail-biting thriller, provoking serious reflection on gender and power struggles along with shocks and surprises at every turn.

"I don't love you either, but we can be friends... Since you've killed me... at least stay with me a few more days." A story of reincarnation.

Víctor is a film director who is overcome by his own misfortunes. He is an alcoholic, unemployed and terribly depressed, largely because of the death of his wife. However, Victor is still the best in one thing: telling fantastic stories to his nine-year-old son, Ingmar. These stories are each of the scripts he dreams of directing in the future, when he gathers all the necessary resources. Victor and Ingmar share a present full of sadness and precariousness, but also full of robots and locations of films they have seen together. Despite forming a great team, their problems will multiply when others begin to question their role as a father.

Between misfortune and apathy, Ramón decides whether his destiny is redemption or condemnation.