Animoon

Rwanda. Summer of 1994. Didi (12) survived thanks to her smarts and hatred for all living creatures, especially humans. Eric (8) survived thanks to his wild imagination and sensitivity. The two kids of opposite tribes are forced to venture together into the post massacre land in search for food, new home and their lost souls.

A story of a man with a very dense eyes who sees all the surrounding reality only after seven years. The consequence of the eye defect translates into the mental immaturity of the man, lack of understanding of the present and belated reflections on long-gone facts. The man is never mature enough for his age and constantly lingers on the past.

Tatiana is forty-two years old and she is a stylist for one of Kyiv’s women’s magazines. She is ironic, self-confident, Tatiana lives in a large house on the suburbs of the Ukrainian capital and she enjoys the freedom that her recent divorce gave her. Her quite successful life is interrupted by the outbreak of the war. Friends and acquaintances come to her house, including her ex-husband and colleague who has a crush on her. Together, they watch how Russia destroys their city. After a few days, almost everyone tries to get out of Kyiv and persuades Tatiana to follow. But she can’t make up her mind.

Whizzy is a little mouse, Whitebelly is a fox. They are naturally mortal enemies. One day, after an unfortunate accident, both meet in animal heaven. Together, they will embark on a fantastic journey and discover friendship can overcome everything.

While she is practicing yoga, he is looking at his phone. When he sits behind a desk, she goes to the kitchen to prepare a shake. Suddenly, the protagonists and their rituals begin to revolve around each other as if they were celestial bodies and their flat becomes the centre of the universe.

Therapy session opens memories from five different places and times. Traumatic experiences come back in expressive and suggestive images. Slowly, chaos becomes calmer and changes into peace. The film is a story about loss, thanks to which, an opportunity to find power and hope emerges.

Picture a northeastern Polish town, surrounded by forests and lakes; with only a few houses, a highway, and a small baroque church. That’s where an 11-year-old boy spends his last month of summer. Fascinated by stories about the Wild West and haunted by the religious imagery in church, he craves adventure. As he explores the surroundings, equipped with a cassette recorder and a bow, his innocent adventure suddenly stops being child’s play.

Omul lives with his family on a remote island in the Fire Archipelago. During a beach trip, a storm sweeps Omul and his younger sister Kimi into the sea, where Omul witnesses a mysterious creature threatening Kimi’s soul. Rescued by a whale, the siblings survive, but Kimi is left in a coma. Omul’s ability to talk to animals becomes crucial as he and his brother – who blames him for the accident – set out to find Sadumea, the mythical figure behind Kimi’s torment. With their dog Tela, they embark on a dangerous expedition deep into the island to save Kimi…

After running away from her depressing village in eastern Europe, a teenage girl meets a new friend under a bridge.

A woman goes into space and gets back to Earth to bond with a man on a pedestal.

Wake up, get ready, a quick breakfast to the sound of his favourite jazz – and it is time to rush off to work, just like every day.

A man and a woman meet in a waiting room and immediately get close to each other. They commence a game that gradually gets more and more ferocious. Their faces resemble masks while shapes slowly lose their integrity. Bodies are formed like clay, embracing each other up to the limits of impossibility. III is a portrait of a woman in an exhausting relationship with a man, which allures and repulses at the same time. The film is the third part of the triptych Impossible Figures and other stories.

Teo’s dream of dancing with Mia in the school competition seems hopeless…until he meets Ro, a funny bird-like creature with wondrous abilities, lost in the city. Ro’s friendship will help the wayward boy find his feet, but it will take more than dancing for Teo and Mia to help Ro find his way home before a looming disaster.

African tropical forest. A dark figure escapes through the thicket. The hunters’ shouting grows. The chimpanzee’s eyes shine on her dark face. She is breathing heavily, escapes through the jungle. The frightened animal reaches a beautiful colonial villa and enters inside. Leaving her natural environment will stand before an important choice. “The visit” is a film that asks the question of where humanity begins.

On an endless night, the Great One, goddess of the bison, meets the Little One, goddess of the goat. A friendship is born, and with it a new world: the stars, the sun, the earth, and living beings. Animals emerge from the waters, grow, and a lush forest blooms. As the world evolves, the two goddesses are overwhelmed by their power of creation.

When 12-year-old Lauri tries too hard to get his older siblings’ attention he falls badly and loses his ability to walk. Now Lauri is stuck at home, lonelier than he ever was. Just then a helpful furry creature from another dimension appears and takes him on a fantasy adventure. In the other dimension Lauri trades his shadow for being able to walk again, but the shadow becomes a goofy, all-eating monster who follows Lauri back to his world. To beat the monster Lauri needs to team up with his siblings and give up his ability to walk. However, Lauri is now determined to learn to walk again and he has his siblings beside him - and that’s what really matters.

Toni is an orange farmer. He loves them, he pampers them, they are his treasure. Until the day when, in the valley, strange freighters dock. Freighters loaded with green oranges.

The first and—paradoxically—the final part of the triptych. The city, which is its subject, grows not only in space but, most importantly, in time. With all consequences.

What happens when a hero blindly pursues his goal, consumed by brutal rivalry? This is a ruthless play on fantasy conventions, where an existential crisis of masculinity proves more dangerous than dungeon monsters. A story of people so deeply attached to their roles that they fail to notice the coming end of the world.