Fondo Nacional para la Cultura y las Artes

Mexico City. Every day, Beatriz is insulted and humiliated by her jealous husband, but she does not flee his side because they have created a codependency and, at least for her, she would not conceive of her life any other way: by dint of feeling humiliated, she feels desired and desirable.

Ana is running away from her hometown while Mar, an old acquaintance of hers, is coming back after a long absence. They find each other in the middle of the road and through the night, they make a journey amongst their fears to find out that still waters run deep.

Based on Elena Garro's short story, it's a story where love and loneliness are linked through a hotel room, where a woman awaits for an old and impossible love.

Camila and Abril grew up together in a small town on the coast and are best friends. There's an obvious and uncomfortable attraction between them. April's family will move to the city, their paths will have to separate forever.

A strange man appears after an accident in an abandoned highway in the Mexican desert, he’s rescued by a fighting cocks trainer and his grandson, who helps him recover. The man begins to perform healing miracles around the ejido, so he starts being called a Prophet. The priest of the community and the altar boy oppose his stay in the community of this uncomfortable resident.

Ziuta, Polish, Jewish and survivor of the Second World War, was an extraordinary woman who aroused special devotion. Her political commitment and participation in supporting the clandestine struggle, beyond being a virtue, were a direct and almost biological part of it. Ziuta had the determination, being just a teenager, to resist exile with fortitude, saving her mother and another family from perishing in flight. Despite the horrors and hardships, she maintained a grateful attitude toward life. These characteristics, and her particular sense of humor, permeate her story, even in chapters with painful themes: the death of her father, her madness; her suicide attempt in the Caspian Sea and her decision to come to Mexico, where she rebuilt her life and lived with artists, writers, dancers and filmmakers at a time of great cultural effervescence in the country, even participating as an actress in some films. .

Under the imposing snow-capped mountains of Utah, a Mexican family lives with the uncertainty of a loved one's disappearance.

A mysterious skeleton appears in a mexican neighborhood.

Escaping from hunters, a jaguar finds an orphaned cub and teaches him how to survive, but when he gets captured the roles get reversed.

Years after the Salvadoran military destroyed the village of Cinquera in that country’s civil war, survivors have returned to rebuild their community. Soulful, beautifully rendered, this amazing debut is an evocative testament to place, memory and the power of life to rebound from tragedy.

This documentary delves into the experiences of four older people whose lives were marked by the rivers, lakes and canals of Mexico City, when water was much more present in the metropolitan area than it is today.

Do we belong to a place, or does a place belong to us? Like a skein that unravels, this question unfolds the essayistic thread of the film, going through a series of relationships, from the link between Tzotzil women and nature to a reflection on one's work as a documentary filmmaker.

A romance between the painters and writers: Dr. Atl and Nahui Olin arises in this era, the 20's, while Jose Vasconcelos founded the Ministry of Education and call all the intellectuals of the country for this project. Mr. President Alvaro Obregon, who feels devotion for the intellectuals allows one of the most important cultaral crusades of our history. In this liberal atmosphere where gays, the divorce, the vote for women, began to be accepted, several of our protagonists are given in love within a whirl of ideas, passions, political and ideological propositions.

Memory mechanisms are mysterious: we only see the stories we choose in order to construct our own reality. Every mark is a message in time, the invocation of an absence. To travel in the memory is to walk in time, zigzagging, a long road permeated by a dark, indecipherable logic… if we could choose seven moments to sum up our entire life, which ones would they be? The Dance of the Memory is a documentary-essay that guides us in that autobiographical search, where image and memory intertwine. It mixes archive material with an aesthetic and subjective tone.

The creation myth is adapted into an animated short film made by Seri indigenous children and elders.

I was about seven years old the first time someone called me \"black\" on the street. I turned around to see who they were talking to, until I realized they were talking to me.

In 2016 the Mexican District Attorney secretly buried more than 100 murdered bodies during the war against drug trafficking. They kept it hidden until a group of women, mothers, discovered it while searching for their missing children. One of them retrieves the body of her brother. "To See You Again" narrates the participation of Mexican women as they exhume what remains of the corpses and learn about forensic work. They help us discover the crimes committed by the state when burying the bodies.

Christian, a former organized crime member, seeks redemption by founding Ángeles Soccer, a team that trains kids and women on a once crime-ridden lot in one of Mexicali's most dangerous neighborhoods, aiming to rebuild the community he once harmed.

In three sleepless nights, Henrietta experiences a psychotic crisis, in which her self becomes detached from her body. We do not speak of madness, but of a situation out of control. In three acts, the denial of self, the immobility of the body and the mind-body separation are addressed through visual metaphors. These sensations conclude in Henrietta's delirium: the outside and inside of her house are mixed, there are shadows that haunt her and she finally falls into a bottomless spiral.