Fondo Nacional para la Cultura y las Artes

Under the imposing snow-capped mountains of Utah, a Mexican family lives with the uncertainty of a loved one's disappearance.

Ziuta, Polish, Jewish and survivor of the Second World War, was an extraordinary woman who aroused special devotion. Her political commitment and participation in supporting the clandestine struggle, beyond being a virtue, were a direct and almost biological part of it. Ziuta had the determination, being just a teenager, to resist exile with fortitude, saving her mother and another family from perishing in flight. Despite the horrors and hardships, she maintained a grateful attitude toward life. These characteristics, and her particular sense of humor, permeate her story, even in chapters with painful themes: the death of her father, her madness; her suicide attempt in the Caspian Sea and her decision to come to Mexico, where she rebuilt her life and lived with artists, writers, dancers and filmmakers at a time of great cultural effervescence in the country, even participating as an actress in some films. .

The community of Ayapa struggles to keep their language alive. Through the memories of their elders, this documentary tries to reconstruct the town's history.

A romance between the painters and writers: Dr. Atl and Nahui Olin arises in this era, the 20's, while Jose Vasconcelos founded the Ministry of Education and call all the intellectuals of the country for this project. Mr. President Alvaro Obregon, who feels devotion for the intellectuals allows one of the most important cultaral crusades of our history. In this liberal atmosphere where gays, the divorce, the vote for women, began to be accepted, several of our protagonists are given in love within a whirl of ideas, passions, political and ideological propositions.

Christian, a former organized crime member, seeks redemption by founding Ángeles Soccer, a team that trains kids and women on a once crime-ridden lot in one of Mexicali's most dangerous neighborhoods, aiming to rebuild the community he once harmed.

Years after the Salvadoran military destroyed the village of Cinquera in that country’s civil war, survivors have returned to rebuild their community. Soulful, beautifully rendered, this amazing debut is an evocative testament to place, memory and the power of life to rebound from tragedy.

This is the story of a hungry opossum who is captured while trying to find food. He manages to escape and continues his search, although what he really finds is a long-lasting friendship.

The creation myth is adapted into an animated short film made by Seri indigenous children and elders.

I was about seven years old the first time someone called me \"black\" on the street. I turned around to see who they were talking to, until I realized they were talking to me.

In three sleepless nights, Henrietta experiences a psychotic crisis, in which her self becomes detached from her body. We do not speak of madness, but of a situation out of control. In three acts, the denial of self, the immobility of the body and the mind-body separation are addressed through visual metaphors. These sensations conclude in Henrietta's delirium: the outside and inside of her house are mixed, there are shadows that haunt her and she finally falls into a bottomless spiral.

This is a movie built from impericia, from misunderstanding, from surprise and mutual amazement; it is a film that reflects on the idea of community, the relationship of mankind with the environment in which nature, beasts and human beings depend on each other to continue inhabiting a barren land.

Mary travels from Honduras to the United States looking for her son, a migrant kidnapped in Mexico. Francisco, the dean of the Pesh community, fights against the extinction of the tropical forest. Both struggle against disappearance.

Mexico City. Every day, Beatriz is insulted and humiliated by her jealous husband, but she does not flee his side because they have created a codependency and, at least for her, she would not conceive of her life any other way: by dint of feeling humiliated, she feels desired and desirable.

Ana is running away from her hometown while Mar, an old acquaintance of hers, is coming back after a long absence. They find each other in the middle of the road and through the night, they make a journey amongst their fears to find out that still waters run deep.

In 2016 the Mexican District Attorney secretly buried more than 100 murdered bodies during the war against drug trafficking. They kept it hidden until a group of women, mothers, discovered it while searching for their missing children. One of them retrieves the body of her brother. "To See You Again" narrates the participation of Mexican women as they exhume what remains of the corpses and learn about forensic work. They help us discover the crimes committed by the state when burying the bodies.

The inspiring life and untimely death of a Mexican artist who, ahead of her time, saw the darkness in the light of the screen and responded by transforming it into art.

In the vicinity of Tajín, several schools teach the art of the Papantla Flyers, attended by Dana, Said, Jairo, and Sarahí. These four children introduce us to the magic of this Totonac dance. As they train to become flyers, they share legends of how new generations can fly and save the region from drought. To achieve flight, they must overcome fear, practice discipline, and keep dreaming like all children.

Based on Elena Garro's short story, it's a story where love and loneliness are linked through a hotel room, where a woman awaits for an old and impossible love.

Do we belong to a place, or does a place belong to us? Like a skein that unravels, this question unfolds the essayistic thread of the film, going through a series of relationships, from the link between Tzotzil women and nature to a reflection on one's work as a documentary filmmaker.

The trace of disturbing memories within a circle where the horizon is lost, what was already seen and reappears without any sense. The tiny space where dreams becomes lively present. Nothing is permanent, the dreams are foam.