La Comédie-Française

Woman hero Dom Juan lives a life full of excesses and love affairs. When he seduces the nun Elvire, but shows no interest in her a short time later, he gets to deal with her vengeful brothers. Dom Juan and his assistant Sganarelle have to flee and set out on a journey full of strange encounters.

A stage performance of the tragicomedy broadcasted live in theaters.

The Forest is both a vibrantly spontaneous and brutally funny family drama, and a glorious tribute to acting and theater - in other words, an Arnaud Desplechin film. With Michel Vuillermoz and Denis Podalydès as the nephew and his friend, Adeline D’Hermy as the niece, and Martine Chevallier in a stunning performance as the sublimely selfish aunt Raissa.

Accompanied by a child, the mathematician Galileo observes the firmament with a telescope. Ten years ago, the philosopher Giordano Bruno was burned in Rome for having supported the idea of an infinite and centerless universe, based on the work of Copernicus. By dint of observations and calculations, Galileo seeks proofs for his hypothesis of a cosmic system where the Earth is "an ordinary celestial body, one among thousands". From Padua to Venice, the mathematician shakes certainties by confronting the power of a Church which wishes to maintain its absolute power in the "crystal spheres" where Ptolemy has hitherto locked up the world.

For her latest project, commissioned by Arte and starring members of the Comédie-Française, Valeria Bruni Tedeschi (A Castle in Italy, Rendez-Vous 2014) shot an idiosyncratic, half-modernized adaptation of one of Chekhov’s greatest, most expansively melancholy plays.

Theater play "Les fourberies de Scapin" played by the "Comédie française" in 1998.

Le Petit-Maître corrigé is a three-act romantic comedy by French playwright Marivaux. It was first performed on November 6, 1734, by the Comédie-Française in Paris. In this production Clément Hervieu-Léger makes the eighteenth century resonate with our era, all the more so given that the language is “simpler than in other Marivaux plays, while still as refined, precise and full of humour”. The story is that of a young Parisian whose parents have found a good match for him, a count’s daughter. But when he goes to visit her in her country home, the handsome boy – whose Parisian manners are far removed from the rules of decorum that reign in the provinces – cannot open his heart to his lovely intended. Stung, the latter decides to punish his arrogance while a former lover arrives to prevent the marriage. Between the alliance of master and manservant, and the complicity of mistress and maid, a romantic intrigue ensues full of light-hearted conspiracies and feverish emotions.

Harpagon, a miserly bourgeois, wishes to marry the young Mariane and marry his daughter Elise to Lord Anselme. He does not know that Cléante, his son, is in love with the young Mariane and that his daughter Elise loves a penniless young man, Valère, whom he has just hired as a steward.

Coraline, a young servant in love with Florindo, will thwart the plans of Beatrice, the second wife of Ottavio, father of Florindo, who wants to capture the legacy of Florindo for his own advantage and that of his own son.

A staging of Marivaux's play "The Game of Love and Chance" by Galin Stoev.

Silvia’s father grants her permission to meet Dorante, the man she’s promised to in marriage, by pretending to be her servant Lisette, who in turn will play the role of her mistress.

In this contemporary adaptation of Pierre Corneille’s brilliant, eponymous 17th century play, the enigmatic Alcandre is now a hotel concierge who uses the myriad in-house high-tech security cameras to show worried father Pridamant the whereabouts and travails of his son, Clindor. As Pridamant witnesses the conflicting romances involving his estranged son, Corneille’s modernist meta-narrative is transposed to contemporary Paris, underscoring the ambiguous nature of love, wealth and desire in an age of consumerism. (Chicago International Film Festival)

M. Jourdain is a cloth merchant who wants to become a gentleman, learning dance, music, fencing and philosophy. Mme Jourdain is worried about Dorante's expenses and prefers her daughter Lucile to marry Cléonte. The two young men's servants use subterfuge to get M. Jourdain to accept Cléonte as son-in-law. They fake the arrival of the Grand Turk's son in Paris, and, in an Oriental ballet, confer upon M. Jourdain the title of Mammamouchi, his daughter marrying the son of the Grand Turk, who is none other than Cléonte in disguise.