La Comédie-Française

Célimène, a beautiful young widow, chooses to keep her many suitors hoping in order to preserve her freedom, even though she is drawn to one of them, Alceste. An idealist, Alceste refuses to play the social game; he seeks to persuade the young woman to abandon her strategy and give herself over to an exclusive love. Theater play "Le misanthrope" played by the "Comédie française" in 2000. Rather than a simple recording of a live theater performance, this version was explicitly structured as a television movie. It blended cinematic camera work with the theatrical script.

The Forest is both a vibrantly spontaneous and brutally funny family drama, and a glorious tribute to acting and theater - in other words, an Arnaud Desplechin film. With Michel Vuillermoz and Denis Podalydès as the nephew and his friend, Adeline D’Hermy as the niece, and Martine Chevallier in a stunning performance as the sublimely selfish aunt Raissa.

A stage performance of the tragicomedy broadcasted live in theaters.

Harpagon, a miserly bourgeois, wishes to marry the young Mariane and marry his daughter Elise to Lord Anselme. He does not know that Cléante, his son, is in love with the young Mariane and that his daughter Elise loves a penniless young man, Valère, whom he has just hired as a steward.

Woman hero Dom Juan lives a life full of excesses and love affairs. When he seduces the nun Elvire, but shows no interest in her a short time later, he gets to deal with her vengeful brothers. Dom Juan and his assistant Sganarelle have to flee and set out on a journey full of strange encounters.

Theater play "Les fourberies de Scapin" played by the "Comédie française" in 1998.

Le Petit-Maître corrigé is a three-act romantic comedy by French playwright Marivaux. It was first performed on November 6, 1734, by the Comédie-Française in Paris. In this production Clément Hervieu-Léger makes the eighteenth century resonate with our era, all the more so given that the language is “simpler than in other Marivaux plays, while still as refined, precise and full of humour”. The story is that of a young Parisian whose parents have found a good match for him, a count’s daughter. But when he goes to visit her in her country home, the handsome boy – whose Parisian manners are far removed from the rules of decorum that reign in the provinces – cannot open his heart to his lovely intended. Stung, the latter decides to punish his arrogance while a former lover arrives to prevent the marriage. Between the alliance of master and manservant, and the complicity of mistress and maid, a romantic intrigue ensues full of light-hearted conspiracies and feverish emotions.

Accompanied by a child, the mathematician Galileo observes the firmament with a telescope. Ten years ago, the philosopher Giordano Bruno was burned in Rome for having supported the idea of an infinite and centerless universe, based on the work of Copernicus. By dint of observations and calculations, Galileo seeks proofs for his hypothesis of a cosmic system where the Earth is "an ordinary celestial body, one among thousands". From Padua to Venice, the mathematician shakes certainties by confronting the power of a Church which wishes to maintain its absolute power in the "crystal spheres" where Ptolemy has hitherto locked up the world.

New York, 1985. Against the backdrop of AIDS - divine punishment inflicted on gays according to puritan America -, angels, who epilogue on the emptiness of the American dream, cross paths with the ghost of the spy Ethel Rosenberg, separating lovers and destitute patients. Prior, suffering from the AIDS virus, loves Louis who is about to leave him. Roy Cohn, man of power, Jewish and homosexual lawyer, anti-Semite and homophobe, lives in denial of his HIV status. Harper takes refuge in drugs to soften her married life with Joe, whose uncertain sexuality clashes with well-established religious beliefs. Following the cancellation of "Angels in America"performances ​​due to the health crisis of 2020, the project became a TV movie: "Angels - Salle Escande" is shot in the privacy of rehearsals.

Coraline, a young servant in love with Florindo, will thwart the plans of Beatrice, the second wife of Ottavio, father of Florindo, who wants to capture the legacy of Florindo for his own advantage and that of his own son.

M. Jourdain is a cloth merchant who wants to become a gentleman, learning dance, music, fencing and philosophy. Mme Jourdain is worried about Dorante's expenses and prefers her daughter Lucile to marry Cléonte. The two young men's servants use subterfuge to get M. Jourdain to accept Cléonte as son-in-law. They fake the arrival of the Grand Turk's son in Paris, and, in an Oriental ballet, confer upon M. Jourdain the title of Mammamouchi, his daughter marrying the son of the Grand Turk, who is none other than Cléonte in disguise.

In this contemporary adaptation of Pierre Corneille’s brilliant, eponymous 17th century play, the enigmatic Alcandre is now a hotel concierge who uses the myriad in-house high-tech security cameras to show worried father Pridamant the whereabouts and travails of his son, Clindor. As Pridamant witnesses the conflicting romances involving his estranged son, Corneille’s modernist meta-narrative is transposed to contemporary Paris, underscoring the ambiguous nature of love, wealth and desire in an age of consumerism. (Chicago International Film Festival)

At Versailles, the last rehearsal of a play, ordered to molière by Louis XIV the king. Staged in their own characters, actors and author display their art's conception. It is, too, the opportunity for them to answer by irony to their detractors.

The life and work of Jean-Baptiste Poquelin (1622-73), the greatest French-language playwright, Molière, who revolutionized theater by bringing to the stage, with lucidity and dazzling modernity, the themes of his time and who had a special relationship with Louis XIV, the dazzling Sun King, that allowed him to develop as an artist while using his talent, like that of many other artists of his time, to enhance his personal glory.

Paris, sum­mer 2020. Actors from “la Comédie-Française”, France’s most pres­ti­gious the­ater, rehearse Christophe Hon­oré’s new play, an adap­ta­tion of Mar­cel Proust’s “The Guer­mantes Way”. When the show is sud­den­ly can­celed, the dra­ma group decides to go ahead with it any­way, in the name of art and for the joy of act­ing together.