La Comédie-Française

Cyrano has a prominent nose but also a gift with words by which he helps handsome Christian to conquer Roxane. Also in love with the girl he chooses not to reveal to her that every word of Christian comes out of his own heart. In cinema, this ROSTAND classic filmed live from the Comédie Française.

Three witches predict that Macbeth will ascend to the throne of Scotland. To fulfill this prophecy, Lady Macbeth convinces her husband to murder King Duncan, who has come to spend the night at their home. This crime plunges the new ruler into a macabre spiral that will lead him to sink into guilt and madness... The "Scottish play" is being shown live from the Comédie-Française theater in cinemas for the first time.

Video recording of the stage play "Le Soulier de Satin", played by La Comédie-Française at Paris during the 2024-2025 season, and directed for the stage by Eric Ruf. The play was recorded by Arnaud Desplechin.

An adaptation of William Shakespeare's play "Romeo and Juliet", staged by Éric Ruf.

Harpagon, a miserly bourgeois, wishes to marry the young Mariane and marry his daughter Elise to Lord Anselme. He does not know that Cléante, his son, is in love with the young Mariane and that his daughter Elise loves a penniless young man, Valère, whom he has just hired as a steward.

Theater play "George Dandin" played by the "Comédie française" in 1999.

Alceste loves Célimène, a flirtatious woman from the Parisian high society. He loathes this world for its hypocritical etiquette but, shaken by a public trial he is called to by this social circle, he must visit Célimène to ask for her help…

Paris, sum­mer 2020. Actors from “la Comédie-Française”, France’s most pres­ti­gious the­ater, rehearse Christophe Hon­oré’s new play, an adap­ta­tion of Mar­cel Proust’s “The Guer­mantes Way”. When the show is sud­den­ly can­celed, the dra­ma group decides to go ahead with it any­way, in the name of art and for the joy of act­ing together.

Woman hero Dom Juan lives a life full of excesses and love affairs. When he seduces the nun Elvire, but shows no interest in her a short time later, he gets to deal with her vengeful brothers. Dom Juan and his assistant Sganarelle have to flee and set out on a journey full of strange encounters.

Silvia’s father grants her permission to meet Dorante, the man she’s promised to in marriage, by pretending to be her servant Lisette, who in turn will play the role of her mistress.

At Versailles, the last rehearsal of a play, ordered to molière by Louis XIV the king. Staged in their own characters, actors and author display their art's conception. It is, too, the opportunity for them to answer by irony to their detractors.

Le Petit-Maître corrigé is a three-act romantic comedy by French playwright Marivaux. It was first performed on November 6, 1734, by the Comédie-Française in Paris. In this production Clément Hervieu-Léger makes the eighteenth century resonate with our era, all the more so given that the language is “simpler than in other Marivaux plays, while still as refined, precise and full of humour”. The story is that of a young Parisian whose parents have found a good match for him, a count’s daughter. But when he goes to visit her in her country home, the handsome boy – whose Parisian manners are far removed from the rules of decorum that reign in the provinces – cannot open his heart to his lovely intended. Stung, the latter decides to punish his arrogance while a former lover arrives to prevent the marriage. Between the alliance of master and manservant, and the complicity of mistress and maid, a romantic intrigue ensues full of light-hearted conspiracies and feverish emotions.

On the occasion of the 400th anniversary of Molière’s birth on 15 January 2022, Ivo van Hove reunited with the Troupe for their third collaboration, a production of Le Tartuffe ou l’Hypocrite, the original version in three acts, banned at its premiere in 1664 and reconstructed thanks to the work of ‘theatrical genetics’ overseen by Georges Forestier and Isabelle Grellet.

M. Jourdain is a cloth merchant who wants to become a gentleman, learning dance, music, fencing and philosophy. Mme Jourdain is worried about Dorante's expenses and prefers her daughter Lucile to marry Cléonte. The two young men's servants use subterfuge to get M. Jourdain to accept Cléonte as son-in-law. They fake the arrival of the Grand Turk's son in Paris, and, in an Oriental ballet, confer upon M. Jourdain the title of Mammamouchi, his daughter marrying the son of the Grand Turk, who is none other than Cléonte in disguise.