Directory Films

After losing his parents, a young Jewish boy wanders Eastern Europe, seeking refuge during World War II.

Five-year-old Vitka and her teenage cousin Larysa both yearn for a life beyond the archaic rules and restricting confines of their small, godforsaken Ukrainian village. Despite her family's staunch objections, Larysa falls wildly in love with Scar, a handsome ex-convict. Hoping to leave their troubled past behind, the two plot their escape. Scar agrees to take on a criminal job in the city. Larysa, meanwhile, fends off an arranged marriage and awaits his return.

Olga's husband were missing on the East Ukraine, in military events. In desperate to find him, Olga comes to the witches, who tell her that her husband died. Emotionally destroyed woman does not want to live without her beloved, the witches offered her to drink infusion of mandrake and "all will be forgotten and sorrow and life will pass." Olga is ready for everything only to subsided her emotional pain, but the ritual is going wrong, events of this world and after-world are woven into a tight knot, when it is impossible to separate life from death.

When his younger sister, a single parent, moves into the second apartment with her 5-year-old daughter Nina, an unexpected friendship develops between Josef and the uncared-for little girl.

Nina, 30, a Ukrainian language teacher who can't leave the city of Luhansk, occupied by separatists in Eastern Ukraine, is forced to undergo retraining courses for teaching Russian. Andrii, 17, is a student who was orphaned in the aftermath of the war. They cross paths when Nina witnesses Andrii being arrested by the police after hanging the Ukrainian flag from the roof of his school. Nina knows that because they live in a world of injustice and lies Andrii can stay in jail for a long time, and she risks her life to free him. As they gravitate towards each other, they try to remind people in the occupied territories that they deserve a future, too.

This film does not deal with Chornobyl, but rather with the world of Chornobyl, about which we know very little. Eyewitness reports have survived: scientists, teachers, journalists, couples, children... They tell of their old daily lives, then of the catastrophe. Their voices form a long, terrible but necessary supplication which traverses borders and stimulates us to question our status quo.

In 2014 Russia’s hybrid war against Ukraine turns hot. An engineer, actor, soccer coach and florist volunteer to fight on the front line. Unaware of the pivotal role they will play in the war, they discover the meaning of true leadership.

Inside the Chornobyl exclusion zone Grandma Prisa, the family matriarch, consorts with water nymphs, eats a diet filled with hallucinogenic mushrooms, and claims to have personally stabbed 12 SS soldiers to death during World War II. She lives together with her divorced and chronically ill daughter Slava and grandson Vova. Unexpectedly, their measured life comes to an end - Grandma Prisa receives a mystical warning about an impending catastrophe.

When her daughter vanishes under suspicious circumstances, a perfectionist architect must confront harsh truths—and seek help from the ex-husband she left behind.

A Red Army convoy transporting a large amount of cash is apparently ambushed by anarchists led by Makhno. In a twist of betrayal, the Red Army set up the attack to eliminate the anarchists. Two of the anarchists and one Red Army soldier survive, and like an American Western, they reconcile their differences to join forces against the Red Threat.

The old man Lyosha and his lady Christie decided to die happily in one day. But Lyosha has to finish something very important first. He does desperate things to implement his secret plan and convince his woman to delay the day of their death.

Lesya fights against the society stereotypes. She starts dealing with her own body - trying to gain weight.

Theater and film actor, Mykola Veresen' dies on the set while performing the role of Ivan the Terrible. In the moment of death, his karma transforms into the bloody murderer he embodied, and he falls into Sheol, a common grave for all the dead. The time has a different flow here, the only feelings left are fear and pain. In hell Mykola learns about the confrontation that last for centuries between the white and black vampires, he becomes a puppet in the cruel guerrilla of these two supernatural groups.

Selling the homestead can be painflully difficult. The hero is forced to confront the past when she tries to complete the sale of her grandfather’s house. In the place of her childhood she finds some answers to questions about life.

The search for a government soldier taken captive on February 20, 2014 in Kyiv takes protester Sashko to the front lines on the East of Ukraine. There he meets Ivan, a Ukrainian volunteer harbouring a secret that could undermine a fragile cease-fire…

Is truth visible or even a real phenomenon or some transparent shell… A metaphysical etude where the object around which everything happens; around which actors collide and conflicts unfold with no clear outline of events. Only one state exists through which everything else moves - sand.

An absurd story reflecting contemporary social problems in Ukraine, told in the century-old language of cinema, linking modernity and traditional Soviet socialist realism. Classical imagery imitates an old ideology contradicting the author’s worldview revealing the roots of reality’s distortion in this post-Soviet ambience showing that cultural, political and economic problems are knotted in military conflict.

Alina was abandoned by her mother, so now she lives with her aunt, Alina thinks she is spiteful and doesn't love her. The only one who loves Alina is her doll. Accidentally girl found an announcement about recruiting in a children's dance group 'Vinochok'. This is the chance for Alina to break away of this miserable world, full of dirt uselessness and misunderstanding.

A documentary feature film about Oles Uljanenko, an author and cult figure of Ukrainian post-Soviet culture. His works were banned by Ukrainian authorities having judged them as pornographic and as ones that should be destroyed.

The director’s granny Zina had lived in Ukraine, Russia, Belarus, and, after retirement, she moved to Crimea. Cheerful and bossy, she has always been uniting the big family. After the annexation of Crimea by Russia, visiting her has become an endless hustle. The place has turned into ‘a distant planet’, like Mars, and its environment is unfriendly towards the lonely woman. For many reasons, the time has come for her to make a crucial decision.