Directory Films

After losing his parents, a young Jewish boy wanders Eastern Europe, seeking refuge during World War II.

Ambitious architect Victoria has carefully designed her life. She is bringing up her daughter as a copy of herself and hardly notices anything outside her ideal world. The next step for self-realisation is a project that should bring her long-awaited recognition. But during the inauguration, her daughter disappears. The police are convinced that Alisa is involved in drug trafficking. For help, Victoria is forced to turn to her ex-husband, who works for the police. Their visions of the tragedy differ, and over time Victoria begins to realise how far her daughter has actually drifted away from her. The ideal relationship with her daughter, based on mutual understanding and frankness, is a bubble that bursts. Victoria is confronted with the real world and begins an investigation, although she doesn’t want to lose her reputation as well. In a vacuum of loneliness, under pressure from society and her ex-husband, Victoria risks her life to prove her daughter's innocence.

This film does not deal with Chernobyl, but rather with the world of Chernobyl, about which we know very little. Eyewitness reports have survived: scientists, teachers, journalists, couples, children... They tell of their old daily lives, then of the catastrophe. Their voices form a long, terrible but necessary supplication which traverses borders and stimulates us to question our status quo.

In the rural Ukraine, in a ghostly world where fantasy tears the veil of reality, life fiercely fights death every day and old values and vengeance reign over people's souls, Vitka, an imaginative and rebellious little girl, is the fascinated witness to the crazy love that Larysa, her teenage cousin, feels for Scar, a young criminal.

Inside the Chornobyl exclusion zone Grandma Prisa, the family matriarch, consorts with water nymphs, eats a diet filled with hallucinogenic mushrooms, and claims to have personally stabbed 12 SS soldiers to death during World War II. She lives together with her divorced and chronically ill daughter Slava and grandson Vova. Unexpectedly, their measured life comes to an end - Grandma Prisa receives a mystical warning about an impending catastrophe.

Theater and film actor, Mykola Veresen' dies on the set while performing the role of Ivan the Terrible. In the moment of death, his karma transforms into the bloody murderer he embodied, and he falls into Sheol, a common grave for all the dead. The time has a different flow here, the only feelings left are fear and pain. In hell Mykola learns about the confrontation that last for centuries between the white and black vampires, he becomes a puppet in the cruel guerrilla of these two supernatural groups.

An absurd story reflecting contemporary social problems in Ukraine, told in the century-old language of cinema, linking modernity and traditional Soviet socialist realism. Classical imagery imitates an old ideology contradicting the author’s worldview revealing the roots of reality’s distortion in this post-Soviet ambience showing that cultural, political and economic problems are knotted in military conflict.

Nina, 30, a Ukrainian language teacher who can't leave the city of Luhansk, occupied by separatists in Eastern Ukraine, is forced to undergo retraining courses for teaching Russian. Andrii, 17, is a student who was orphaned in the aftermath of the war. They cross paths when Nina witnesses Andrii being arrested by the police after hanging the Ukrainian flag from the roof of his school. Nina knows that because they live in a world of injustice and lies Andrii can stay in jail for a long time, and she risks her life to free him. As they gravitate towards each other, they try to remind people in the occupied territories that they deserve a future, too.