Mother Teresa once said, "If you know how to look, you will find Calcutta all over the world." Kamieńska found those for whom Calcutta was in Poland. The film about the Congregation of the Missionaries of Charity proved to be a turning point in her artistic career. She took up the theme of faith, which had been absent from her work until then, and which would henceforth recur in her subsequent documentaries. In Missionaries of Charity, Kamieńska observes the work and prayer of young nuns. The complementary nature of "ora et labora" in their lives is reflected in the structure of the film. We alternate between places where the sisters help people in need and Mass with Mother Teresa.

An actor, Lutek Star, and a director, Emil Baks, end up in prison, where they decide to join forces to create a serial script about three independent women.

Elections of authorities were a real holiday in the Polish People's Republic. Sometimes suits, often red ties, decorated with the national colors of the committees. The country's residents flocked to the polls in crowds to express their support for those in power with their vote. In compact columns, soldiers and civil servants marched to the commissions. In hospitals, doctors and nurses voted, the ballot boxes were delivered to seriously ill patients. With special documents, railroad workers traveling around the country were also able to fulfill their duty. Years of effort by the authorities in making the public politically aware bore fruit.

A documentary about an outstanding stage and costume designer and author of papal altars, who contributed to the success of Polish cinema in the 1960s and 1970s.