Flash Forward Entertainment

In 1987, as martial law ends in Taiwan, Jia-han and Birdy fall in love amid family pressure, homophobia and social stigma.

Fei works illegally to support family, but they reject his lifestyle. Through Long, Fei finds hope, until encountering Xiaolai, his past love, who makes him confront his guilt.

Three high school students experience the perks and pitfalls of love in director Leste Chen’s sensitive tale of friendship and yearning.

Lianqing and Guo, who hail from Burma, flee their country and seek refuge in Thailand. Gho's feelings for Lianqing may just surpass her feelings for him.

An unexpected kiss unburies memories and longing for Shu-yi, a mother quietly holding her family together despite her unhappiness. As her rebelling son Han grows drawn to the enigmatic Xue-jin, Shu-yi rekindles her past connection with the same woman in this tenderly crafted exploration of family dynamics, identity and desire.

A carefree student at an all-girls school shows unusual symptoms when she begins puberty, forcing her to grapple with a mysterious and visceral power.

After his pregnant wife Yi-ting unexpectedly committed suicide, Ming decides to take care of his father-in-law, only to find out the unbearable truth of Yi-ting’s family that leads to her death.

When his dangerous older brother is released from prison, high school fencer Jie helps him, defying their mother's attempts to bury his existence.

A young Japanese woman (Yukino Kishii), who is reeling from the death of her much loved mother, decides to take a trip to Taiwanese capital Taipei to try to alleviate her loss. While there, an encounter with a young man (Jing-Hua Tseng) sees the pair strike up a tentative friendship that could help her come to terms with the death. Yukinori Makabe builds his sensitive drama around the delicate and nuanced central performances from Kishii and Tseng, elegantly weaving together the present and memory to show the lingering impact of grief on everyday life, while offering a gently hopeful sweep.

An elderly farmer and his family return home to their village after trying to make money in the city, only to find it destitute and ruled by exploitative employers and a hungry tiger. Both the greedy employers and the tiger are protected by the government, but only the death at the hands of one will provide compensation.

When a girl raised by wolves is found in the woods, she must learn to forge her own path as those around her try to exploit her for their own purposes.

Hao is part of a team of young engineers called in to investigate a series of craters that have opened up on the edge of the city. Meanwhile, a younger boy, also named Hao, spends long afternoons playing with friends and making mischief until one-by-one, his playmates start to disappear. As these parallel stories unfold, the connections between them proliferate and grow stranger.

A Dutch photographer (played by David Verbeek himself – also a talented photographer in real life) takes a picture of a girl in a parking lot in nighttime Taipei as she plays with her kite. The photo transports us into her life. She is eight years old and is about to lose her best friend, a boy from a wealthy family who is moving to America. Back in the Netherlands, the photographer is confronted with his own constant loneliness. The photo of the girl evokes memories of his own childhood, when he still felt at home somewhere.