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Ministère de l'Éducation nationale

Ministère de l'Éducation nationale

FR
Paris
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Movies

Browse 6 movies from Ministère de l'Éducation nationale

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The Great Barrier Reef poster
Movie

A unique document about life on land and underwater in the Great Barrier Reef. Shot during an expedition that lasted more than five months, the film shows both the fauna and flora of the ocean and the technical equipment used to film these stunning images, which are now a thing of the past.

The Great Barrier Reef

Jan 1969

Le Prince charmant est toujours blanc poster
Movie

The pupils of about fifteen secondary schools in the suburbs of Paris react to the projection of two short films taken from the series "No More Lies ! 12 perspectives on everyday racism". Their comments, questions and reactions are of course focused on the subject of racism, but they also take a stand about what it means to have two cultural identities. Is it enough to be born in France in order to feel French ? What is their vision of a society obsessed with the idea of integration? What do they expect of the future ? With their questions and their protests, they often put their finger on the heart of the issues at stake. Beyond fiction, we discover their reality...

Le Prince charmant est toujours blanc

Jan 2001

Sur les traces de Maxime Lisbonne, le d'Artagnan de la Commune poster
Movie

Sur les traces de Maxime Lisbonne, le d'Artagnan de la Commune

Jan 1993

Dada poster
Movie

1967 film directed by Greta Deseson about the Dada art movement. Featuring Marcel Duchamp, Man Ray, Max Ernst, Hans Richter and Gabrièle Buffet-Picabia

Dada

Oct 1969

Shipwrecks poster
Movie

The first film created using the “Cousteau-Gagnan” – an autonomous diving suit – enabling the first underwater sequences in the Mediterranean at nearly 62m depth.

Shipwrecks

May 1946

Sunday poster
Movie

Dimanche was supposed to be a didactic film, ordered by the film department of the National Education, intended to evoke the problem of leisure. Bernhard diverts the order and outwits the trap of the ‘thematic’ film. Without resorting to any form of commentary, making use of extraordinary images sublimating common spaces (the boredom of Sundays, the changing of the guard, children playing, a runner in the woods, a football match, …), he constructs with a nifty montage an exceptional work dealing with the sense of void and the fossilisation of the world. (Boris Lehman)

Sunday

Feb 1963