Un Puma

One night seven years ago, Rafael came home after work and discovered that people he did not know had come looking for him. He immediately fled, without looking back. From that moment on, his life changed, as if that night had never ended. One evening, around an improvised fire near a factory, he decides to confide his journey to a stranger. Rafael’s intimate account meets the collective testimony of an entire nation oppressed by poverty, police repression and institutional corruption.

Dealing with a series of increasingly absurd situations and relationships, recently separated yoga instructors Gustavo and Vanesa are finding it difficult to live apart. Their challenges include meddling mothers, amnesiac students, and burgeoning romances. Step by step, they find their way back to the practice.

Buenos Aires, 2019. Lucrecia, who jobs as a museum security guard, foresees a sharp rise in the dollar’s value with her pendulum and falls in love with a currency exchange house employee.

Ten-year-old Axel lives with his mother and three sisters in a flat in Buenos Aires. They’d be a perfectly normal family if only the mother weren't imprisoned in one of the rooms.

Different groups of people wander in a rainy, windy, dark world. They spend time together, trying to get away from their depressing jobs, meandering constantly towards a disturbing surreal queer fantasy.

This comedy of errors revolves around a hapless 30-year-old named Arturo. His penchant for indiscretions is as impossible to overlook as the finesse with which the film glides from March 2020 to the preceding decade and back again.

Buenos Aires. Exe, 25 years old, has just lost his job and is not looking for another one. His neighbors and friends seem as odd to him as they always do. Online, he meets Alf, a boy from Mozambique who is also bored with his job and who is about to follow Archie, another boy who has run away into the jungle. Through the dense vegetation of the forest, Archie tracks ants back to their nest. One of them wanders off course and comes across Canh, a Filipino, sitting on top of a giant heap of earth and who is about to go back to his strange, beautiful home town, where he too has a miserable job.

Buildings are not supposed to move. But on Avenida Libertador 2050, a building moves and the ceiling shivers, causing a strange nausea that devours its residents. Those who live on the top are afraid they’ll fall, the ones who live beneath are afraid they’ll drown.

Federico, in his mid-20s, lives alone in Buenos Aires. The day his grandmother dies, he decides to part with his girlfriend. He fears hurting her. However, she is laid-back, feisty and not even close to feeling hurt. He begins obsessing over her unexpected reaction—but then he meets someone else.

An undefined sound permeates the city of Athens: constant sirens that no one mentions but everyone seems to accept. Amidst moonlit streets and rooftops, the film follows fragments of lives, from students discussing the university blockade to those searching for a missing friend. The vibration continues in Bangkok, where we meet Mok and Arm with their friends, caught between cosmic dreams and everyday absurdities, while the film accumulates presences, frequencies, and questions until reaching a perceptual threshold where the world seems to oscillate between transformation and collapse.

The accident leads a group of young boys from the high roofs of their neighborhood, passing through its destruction, to the deepest of the earth.

In Argentina, the majority of delivery drivers working for local UberEats clone apps are Venezuelans who have fled the crisis ravaging their country. Filmed during the pandemic in Buenos Aires, Caracas and Colonia Tovar, Riders forcefully immerses us in the gruelling daily lives of those exploited by the platform economy at both ends of South America.

After the attack on Charlie Hebdo's office in Paris, Ivan, the frivolous son of a prominent Argentine journalist, embarks on a journey pursuing different geopolitical events around the world.

There is a monster in Lake Nahuel Huapi. At twilight, it spreads across the surface of the water like a taut cowhide, grabbing its victims with sharp claws. Another monster also lurks around the lake, near Bariloche, in the Argentine Andes.

Like a playlist, there are songs, there are questions, there is an anniversary and a boy who misses another. There are many more things that appear in a linear way but that, in practice, take place all at once-all the time and shape the idea of something greater.

Henrique lives alone in the mountains in Portugal. Having his children been taken away by the social services, one day he searches for the psychologist in charge of the process to get some sort of vengeance. From then on, he hides in the forest for several days, trying nothing but to survive.

Ignacio Ceroi is trying to track down a man whose daily life he has been following through videos recovered from an old camera. Who is this man? And would he be pleased to know that he has dedicated a film to him? Would he be able to forgive him for his voyeurism?

Argentina, 2038. The country seems abandoned, and the first extraterrestrial experiments occupy mountains and roads. A father travels with his eight-year-old daughter, who is experimenting with telekinetic powers, and a baby. Portrait of a deeply Argentine dystopia.