Intermezzo Films

A journey through six different countries and characters into a world where chemistry is the ultimate response to human pursuits of well-being.

The Gangbé Brass Band, a musical group from Benin, sets out to conquer Lagos, capital of Nigeria.

Saturday, March 1st 2008. Commander Raul Reyes, number 2 of the FARC, died in the jungle under the ton of bombs dropped by the CIA and the Colombian army. Along with his corpse, the soldiers retrieved his computers: ten years of emails written by the man in charge of negotiating the release of a hundred of hostages (including Ingrid Betancourt), who also acted as the head of foreign affairs of the oldest communist guerrilla in the world. An amazing testimony where we meet politicians, journalists, arms dealers, diplomats, hitmen, his close relations and even his kids. “RED JUNGLE” delves into the mindset of this man who ruled the FARC with an iron fist, as the revolutionary utopia was slowly sinking into nightmare.

If 18-year-old Sonita had a say, Michael Jackson and Rihanna would be her parents and she'd be a rapper who tells the story of Afghan women and their fate as child brides. She finds out that her family plans to sell her to an unknown husband for $9,000.

In the year following the 9/11 terrorist attacks, young journalist Claude Baechtold finds himself in the war zone of Afghanistan. Not entirely voluntarily, the avowed anti-militarist is dragged by two fearless reporters on a round trip through the entire country.

Told through the charismatic voice of inmate Kenneth Reams, Free Men is a film about human resilience. In solitary confinement for the last 25 years, Kenneth has pushed back the walls of his cell to become a painter, a poet, the founder of a non-profit, and an art event organizer - while fighting at the same time for justice. At age 18, Kenneth Reams was convicted for capital murder without firing a bullet. He became the youngest inmate on Arkansas death row. Alongside art, the film shows how love can cross barbed wire and the length of an ocean in Kenneth's love for Isabelle, a French artist who wants to become his wife.

In 2021, an extreme heatwave gave rise to huge wildfires in the vast subarctic forests of Sakha, a northeastern republic in Siberia. The village of Shologon lies in this taiga landscape, shrouded in orange smoke and black ash. The forest is burning and the flames are approaching fast.

17-year old Sarah, filled with adolescent angst, is an extreme person who in her rehearsals with a theatre group is transformed until she is almost in a trance, and her performances at home or elsewhere verge on excess. A cold, intellectual father, a timid mother, a younger sister and an older brother who has left home complete the picture: a silent time bomb.

Carlos’ American dream is trapped in the labyrinth of the U.S. administration which refuses to legally recognise him. He arrived from Mexico as a child, yet he has been living in Chicago for 29 years.

Three men embark on a journey in search of meaning and happiness in the autumn of their lives: Bob swaps his safe home for a camper van and tries to find himself in the barren Californian desert; Steve, drag queen and stand-up comedian, is fed up of England and makes amends with his past in Benidorm; Yamada rediscovers his smile by reading stories to children in Tokyo.

Once best friends, Alex and Bernardo are called to the Arizona desert by Jade, a woman they both loved but haven't seen in 10 years.

Christian demonstrates some techniques and preparations and meditates on the turntable, improvisation, and the difference between the sonic and the visual arts.

The film takes on a walk alongside parasites, symbionts and decomposers offering ideas of both interconnectedness and collaboration. Driven by a vision of resistance, the encounters seek possibilities of renewal and question what connects us when the world seems to be falling apart. With mushrooms and their allies the film invites to imagine a myco-cultural (r)evolution. What if the fungus could help us address and radically change our relationship to this world?

An atypical family portrait, directed by 34-year old Stéphanie Argerich, the daughter of pianists Martha Argerich and Stephen Kovacevich. The filmmaker follows her mother in particular, during concerts and in moments of greater intimacy, searching for answers that might shed light on the private spaces of a family that has always lived in the limelight of the international stage, where gaiety and madness rub shoulders with an absolute and overwhelming passion: music.

A music documentary in the form of a road trip across the U.S. in search of '60s singer Karen Dalton and the process of artistic creation.

Radios echo across Niger, connecting lives through news, music, and debate. This gripping doc explores how this everyday device becomes a lifeline in a changing nation.

After five years studying in Paris, Arash has not adjusted to life there and has decided to return to Iran to live. Hoping to change his mind, his two friends Hossein and Ashkan convince him to take a last trip through France.

The Mexican-US border is a sacred place for many of the Americans based there. They guard it furiously in order to prevent illegal migration and live in...

This documentary offers a complex portrait of Hollman Morris, the Colombian war journalist whose multiple award-winning news show Contravía is one of the few local current-affairs programs that refuses to pander to President Alvaro Uribe's staunchly authoritative government. While most television viewers in Columbia opt for variety shows and soap operas, citizens in search of suppressed truths tune in to Contravía to hear the latest news about forced disappearances, secret mass graves, and various other atrocities taking place all across the countryside. But when you live and work in the country that Reporters Without Borders claims is one of the most dangerous places in Latin America for a journalist to work, denouncing human rights abuses can be a dangerous game. Yet despite the danger to both himself and his family, Morris remains convinced that the situation in Columbia will never been improved if outspoken media figures like himself simply disappear into exile.