The global corporations have established cities and agricultural zones in areas where the climate is relatively good. These cities are populated by the elites, while the immigrant masses struggle with hunger and epidemics. For unknown reasons, the city’s agricultural plantations have been hit by a genetic crisis - and, as a result, by massive crop failure. Professor Erol Erin, a seed genetics specialist learns of Cemil Akman, a fellow scientist. Apparently, Cemil wrote a thesis about the recurrent crisis affecting genetically modified seeds - but the work was banned by the corporation..

This film follows father Ahmed and son Tarik Karaga during WWII and the Siege of Sarajevo.

Set in Sarajevo in May 2021, the city's famous Old Town tries to recover after a difficult pandemic year. When a visitor from Zagreb comes looking for the best kebabs in town, a harmless gesture causes the disintegration of the business and private lives of several people.

Sevgi and Doğan, a young couple, steal cars in the poorer districts of Istanbul and sell them to the junkyard to be pressed. One day, however, an unsettling event shakes them to the core, pushing them to face some truths about their relationship and the harsh realities of life.

April 1992. Members of a large family strewn around the former Yugoslavia gather around the death bed of their elderly matriarch. She is not well, but the forecast of a family doctor that her death is a matter of minutes away proves incorrect, so the waiting stretches out for days. Relatives start bickering, playing tricks and arguing over the inheritance to be left by the old woman, especially over her large family house in Sarajevo. Despite her deteriorating health, Grandma happily joins the fray. It appears as if that might be what is keeping her alive. Family feuds and intrigues directed against one of the sisters are more important to the family than the clear, terrifying signs of an approaching cataclysm. When the scheming is finally revealed, it is too late. A war has begun in Sarajevo.

Bosnia, July 1995. Aida is a translator for the UN in the small town of Srebrenica. When the Serbian army takes over the town, her family is among the thousands of citizens looking for shelter in the UN camp. As an insider to the negotiations Aida has access to crucial information that she needs to interpret. What is at the horizon for her family and people – rescue or death? Which move should she take?

Filmmaker Elia Suleiman travels to different cities and finds unexpected parallels to his homeland of Palestine.

Some people have zeros, make big bucks. He becomes rich like the wives. Everyone talks about their money. As long as they are alive, they are always talked about. But then? Then they are forgotten... The idea of talking to you about a completely different person in this documentary. His life is like a history book. It opened its eyes with the Ottomans, took its first steps with the Young Turkish Republic, grew with the growing Turkey, became a giant, but did not show its giantness. He said that if the state exists, I exist too. It has become a symbol, an institution on its own. He writes down the establishment and development process of the Turkish private sector in detail. This person's name is Koçzade Vehbi Efendi...

A short while after his dominant wife abandons the wimpy and meek Hayati, who is a literary teacher in a patriarchal town, the police find an unrecognized female corpse by the lake. Hayati wants to state that the body belongs to his wife and to take the blame for the murder that someone else committed.

A triptych of literary adaptations explores past, present and future in rural Turkey. “Düne Özlem” (from Hulki Aktunç’s Bir Yergöstericinin Hayatı): A once-famed traveling critic returns after years to the cinema that launched his career—and finds it unrecognizably transformed. “Bugüne Özlem” (from Kemal Tahir’s Arabacı): A horse-drawn cart driver picks up two stranger women en route to a village—unaware they intend to marry him off to their spinster relative. “Yarına Özlem” (from Zeyyat Selimoğlu’s Bıldırcınlar): An old captain haunted by a fatal shipwreck readies quail-hunting with his grandson, even as his daughter-in-law waits in vain for her migrant husband to return from Germany. Each segment poignantly probes longing— for what was, what is, and what might yet come.

TRT - Ömer Seyfettin Stories

A brave young commander, Tosun Bey, is dispatched by the Sultan to lead a storm-stranded Ottoman army through treacherous terrain toward Semlin amid relentless rain and chaos.

Tarik is a mathematics teacher who is assigned from Anatolia to Istanbul. Director and other teachers explain to him that the school is a difficult one. First of all, the neighborhood is full of unwanted events. Men wait on the corners trying to sell drugs to kids. On top of all, his students hate math class. Tarik's worldview is not only about teaching mathematics but also about turning math into a system that the students can and use in their daily news. As a teacher, he has various ways to get his students interested in the subject. He tries to win them over by reflecting on the mathematical problems and symbols in their daily lives. However, students cannot concentrate on their classes due to the conditions of the school. Tarik finds himself in a huge struggle from the first day on.

A young nurse starts a new assignment in a small isolated village in the farthest reaches of Turkey, a place that seems asleep in an endless winter. A thick layer of snow covers the souls as well as the lands. But under the snow, unspeakable secrets hibernate.

The spring of 1950 was also the spring of the multi-party regime in Turkey. A new 10 years, a new regime, a new government. The first test of democracy was beginning. The National Chief of the single-party period had returned to his Pink Mansion. The address of the opposition was clear now. When it comes to power... Power was shared by a tripartite trivet from the first day: DP Group in the Parliament. Celal Bayar in the Mansion and Adnan Menderes in the Prime Ministry..

It is a famous saying: "One can come to power with a bayonet, but not sit on it." The organization, which carried out 27 May, came to power with a bayonet. Moreover, these young officers seized power that night by breaking the traditional chain of command. In the morning, a 10-year DP period was over, the support of the public was gained at first hand, and a brand new phase was reached. Now, the days that would mark the future of Turkey were beginning. Now, as those days put it, the "second republic period" was beginning.

Fikret works at the library. He is married and has a ten-year-old son. He literally has a routine life. With his wife leaving home, he loses his ability to continue his daily life. His son suddenly finds himself in the position of his father's father. The film tells the story of a father with high functioning autism and his "normal" son.

We came to the end of the road. We told you the story of the establishment of a democracy throughout 9 episodes... We witnessed the collapse of a one-party regime. We witnessed the disappearance of the national chiefdom. Together we experienced the holding of the first free general elections and the raising of democracy in pain. And finally, we told you about the birth, rise and fall of a new power. Where we ended up was a military intervention. Whatever the reasons, the storm of revolution had blown once. Now the task of the officers who seized power on the morning of May 27 was to contain that storm. But it didn't. After a while, the storm started to drag the revolutionaries in front of it. The historical scenario was repeated. The Revolution ate some of their children. The revolution was now speaking its own language...

On the road from a quiet coastal town to the Olympic pool, where fierce competition reigns, Sefa, a talented swimmer, must first battle with himself and then with those around him in order to achieve success.

While working on his novel, an author discovers a mysterious girl in his garden. Is she real or imaginary? Despite this uncertainty, he delves into the girl's world.