Katholieke Radio Omroep (KRO)

Documentary by Ad Zonneveld in which the life of a child of NSB parents is sketched using childhood memories and archival footage from World War II.

Tuur and Lambert are best friends. But the war is closing in and is about to change their lives forever. Tuurs dad joined the resistance and even his big brother seems so be part of it. Lamberts family on the other hand choose to obey the Germans. Then a new girls from the city shows up, befriending the boys but telling her secret to only one of them. A choice that separates the boys and ultimately gets her in trouble.

From different time perspectives, Sloophamer tells the story of 55-year-old Dirk, who one Friday afternoon returns to his house in the pleasant street where he leads a happy life. He is proud of the house he has converted into a snug little palace with his own hands. But then, suddenly, a wrecker's ball knocks a gaping hole into the outside wall. Dirk's wife quickly explains that the house is going to be demolished, but the bull-headed Dirk refuses to vacate the place. Still, the overseer of the demolition team wants to finish the job before the weekend. To 'smoke out' the couple, he makes their situation increasingly dire. Water, gas and electricity are cut off and the anti-riot squad is even on standby. While Dirk is cheered as a hero by sympathisers, the overseer decides to go upstairs and terminate the predicament. There, he finds a different man than he had imagined. It slowly becomes clear that Dirk is out of touch with reality.

The twinbrothers Sietse and Hielke Klinkhamer want to raise money for their ill friend, Marieke.

Young Tiuri has to pass the final test before before being knighted by king Dagonaut. He has to pass a night in the chapel, what is suddenly disturbed by a strangers request of help. With his decision to help the stranger, Tiuri abandons his given task and starts into an adventure, that will shape the destiny of Dagonaut. On his journey he learns about the true meaning of love, friendship, courage and loyalty.

When extreme weather suddenly hits the Netherlands in 1963, a 120-mile tour skating event taking place on natural ice forces its contestants to contend with life-threatening race conditions.

Miffy, her friends Melanie and Grunty and her dog Snuffy set out on a treasure hunt through the zoo. Father and Mother Bunny give them five riddles through a Treasure Hunt Song, about a color, a shape, a movement, a number and a sound. While discovering animals that answer to the riddles, Miffy and her friends learn how to work together, find creative ways to collaborate and to reward each other for a job well done. And in the end, they are rewarded with a big surprise.

Maverick director Melvin Van Peebles translates his own satirical novel to the screen with this multi-national portrait of race, class, and hypocrisy. The film's title refers to the name of a haute cuisine restaurant run by a self-satisfied conservative couple, Henri and Loretta. When the two find themselves overworked in the kitchen, they retreat to the local orphanage to find some cheap waitressing help, and the teenaged Diamantine fits the bill perfectly. The haughty couple has more plans for the girl than just waiting tables, however -- the conspicuously accommodating Henri and Loretta are actually bad-mouthing the girl behind her back to the townspeople and the restaurant's patrons. They go so far as to ask the naive Diamantine to pretend that she's pregnant, and she complies under the assumption that it's a harmless prank. When their intentions are revealed, however, the girl becomes wise to the couple's self-satisfied scheming, and sets her sights on revenge.

Johan and Saar make a final attempt to save their marriage by going on vacation to Buenos Aires. In keeping a promise to their daughter they will make a video of their activities there. When they accidentally witness (and videotape) a brutal murder they will have to run to stay alive.

The seventeen year old Stach is faced with five impossible assignments he has to complete in order to become king. Things do not go as easily as the boisterous Stach had expected, especially when he is confronted with matters of life and death.

Koekebakker is a successful journalist. His old mates, however, turned out failures: Bekker has lost all hope of changing the world, Hoyer works for the socialist party, Bavink suffers from mental problems and Kees is a simple laborer.

Dutch television adaptation of George Bernard Shaw's play "Saint Joan".

Long-nosed Cyrano de Bergerac helps an army officer woo Roxane, the woman he loves.

Twelve-year-old Luuk Bos has always believed that his father is the Strongest Man in the World. His mother Dorien, who raised him on her own, used to tell him the most wonderful stories about it. During a visit to a local Strongest Man competition, he meets a participant, René Doornbos, who, like him, has red hair. Luuk thinks he has found his father.

20 LIES, 4 PARENTS AND A LITTLE EGG tells the story of Sjors and Bert, a gay male couple who are unexpectedly introduced to the 15 year-old adolescent Dylan. Dylan was the product of a sperm donation that Sjors had forgotten he had ever made. But after his eviction by his mother and girlfriend, the boy has turned up on Sjors and Bert's doorstep, and the lives of everybody will be changed forever.

An island boy battles an evil ship's captain over the wreckage of a downed plane that was transporting gold bullion.

KRO documentary about VVD parliamentary group leader Frits Bolkestein and his life and work.

Portrait of Marga Klompé, former Minister of Culture, Recreation and Social Welfare. Her personal story is interspersed with archival footage of her political career. Klompé talks about her life, being a woman, her Catholic faith, the KVP, her career as Minister of Culture, Recreation and Social Welfare, her (slight) regret about being single, her views on South Africa, nuclear armament, and the misogynistic developments in the Roman Catholic Church.

As years pass, the Craets-Goldeweyn family must cope with the disappearance of the familiar and the inescapable new that imposes itself.