European Script Fund

Her name is Mina, but she is called Bambola (doll). Upon the death of her mother, she and her homosexual brother, Flavio, open a pizzeria. A man named Ugo loans Bambola the money, but is then killed in a fight with another one of her boyfriends, Settimio. While visiting Settimio in jail, she meets a sadistic man named Furio, and they begin a relationship.

Four policemen go undercover and infiltrate a gang of football hooligans hoping to route out their leaders. For one of the four, the line between 'job' and 'yob' becomes more unclear as time passes . . .

As the denizens of a Tibetan village prepare for their arduous annual trek to exchange salt for grain, the community's allegiances are split between aging chieftain Tinle (Thilen Lhondup) and rebellious young Karma (Gurgon Kyap). Tinle tries to maintain his clout and preserve obedience to ancient customs when Karma challenges the old man's power.

A mysterious stranger, Meisner, arrives in a northern Swedish town in 1820, calling himself a magnetist - an amalgam of hypnotist and healer - and claiming he can cure diseases un-treatable by doctors. Ignoring the objections of his colleagues, Dr. Selander allows Meisner to cure his blind daughter, Maria, who not only regains her sight, but also falls in love with the charismatic magnetist. Dark secrets and repressed memories start to emerge, amidst the love between father and daughter, man and woman.

Two friends from a small Greek town travel to Bulgaria and Switzerland, hoping they can gain money from the difference in foreign exchange rates.

Cape Verde, 1964. At the feet of a mighty volcano, the traditional Cape Verdean society is undergoing a steady change. The old land-owning aristocracy is disintegrating. A class of "mulattos" begins to emerge, with a trade-based financial power that threatens the landlords. A new identity arises, a mix of old and new, of African and Portuguese culture, sensual and dynamic. The songs of Cesária Évora follow this inevitable transformation. From the novel by Henrique Teixeira de Sousa.

A biopic based on the life of one of the pioneer argentine rock stars 'Tanguito'. The movie tells the story of his rise and fall from grace, encompassed in violent times of a military regime.

This European existential drama utilizes complex symbols inspired by abstract psychological theories to explore the effects and reasons behind a young classical actor's decision to stop talking. No one knows why Massimo has vowed to stop talking. Other than speaking dialog from classical plays, Massimo refuses to say a single word. His father, a classic-literature professor believes it reflects to a disappointing love affair. His new girlfriend thinks Massimo is rebelling against his mother, a poet. A director learns of Massimo and commissions his mother to write a play about him. Though Massimo plays himself in the play, and does speak, he returns to silence when the play is finished.

The painful passage from being imprisoned in the extortionate dilemmas of familial and sexual relationships to accepting a personal point of view. A narrative constructed on the associative structure of memory and dream.