Take 2000

Eva, a young and promising Spanish lawyer based in Edinburgh, sees her wedding plans with the heir to an important and ultra-conservative Scottish family in jeopardy when she learns that her grandmother, Sofía, has decided to marry…

Galicia, northern Spain, January 2, 1921. The steamship Santa Isabel, sailing towards Argentina with more than two hundred emigrants on board, sinks off the coast of Sálvora Island. Three island women, María, Josefa and Cipriana, who have bravely set sail aboard a fragile skiff to save the shipwrecked, are treated as heroes by the cynical authorities; but León, an inquisitive and tenacious Argentinean journalist, starts asking uncomfortable questions.

It tells the story of Araci, a woman who saw her daughter murdered by ranchers. She emigrates to Mértola with her husband and their granddaughter, who will grow up without forgetting the indigenous rituals and teachings of Brazil.

During Holy Week of 59 in the tragicomic social landscape of Franco's Spain, takes place the sentimental chronicle of a nine years old boy: Pablito. Pablito wants the pedal car he sees in a shop near his home. His family -middle class with bad luck - silently suffers the pressure of the other part of the family- middle class with good luck and best influences. The desire of the car and the hope to get it encourage his parents to take the child, piggy bank in hand, through a strange journey to the colorful and surprisingly familiar world full of lies and blackmail. Pablito emotionally survives in that environment thanks to his ability to get from his imagination the answers that parents and teachers do not give him. And that way, Pablito will create his own happy ending.

David is a freelancer living with his girlfriend and their sick son. Problems arise when they don’t have money for his medication.

Teresa is a soap-opera actress. Meeting again an old passion brings her back apparently lost memories, leading her to question not only her love life but also her career options. In the studio, the daily work is spiced by the frenzy group of younger actors. After all, they all ask the same question: where does happiness lies?

A plot that surrounds police officers, politicians and consultants who crudely demonstrate the lines apparently hidden of the political system and public institutions.

One bad thing never comes alone, says the people. The village Estrela is threatened by the waters of the new Alqueva dam. It will become an "island". But, as one bad thing never comes alone, the daily lives of the inhabitants of this small mountain village are changed by the death of Adriano. "In order to create, I destroyed myself; I have so much externalized within myself that within me I exist only outwardly. I am the living scene where various actors perform various plays." (from Livro do Desassossego by Fernando Pessoa), as Adriano liked to quote Adriano. He committed suicide on the day of the village feast, hanging himself in the main square. For Adriano, the main square of the village has long been the center of the world. Adriano felt surrounded, depressed, unable to escape his destiny. "No one can stop a man who travels with suicide on his lapel" Adriano repeated to Lisete, always to the point of exhaustion.