Juris Podnieks Studio

A headstrong young woman is married to land baron. Her feelings for her son's tutor becomes a complex web of unrequited love.

Young police detective Romāns Skulte joins the Riga Central Precinct in the mid-1990s. In no time at all, Skulte’s youthful enthusiasm clashes with the harsh reality of the streets, leading him to the realisation that in order to purge the city of crime, ethical and legal boundaries must be breached.

Artis Baranovskis is a "registrator". He helps his clients by setting up fake companies. An hour before leaving to his own wedding, Artis has to find Jana, who's a fake shareholder of a company with a million euros on its account. Once she's found and her looks changed to those of a rich lady, Jana realizes her power and starts to play her own game.

A father who has just been released from prison strives to reconnect with his son. Good intentions are hindered by unexpected obstacles. An unforgettable day spent by the two together might turn into the very last day for one of them.

For 91-year-old Ruta acting is not just a career: it is her lifestyle. Once again, she starts working on a new role. This time the theme of the play provokes questions about her own life: how does one deal with ageing? And, most importantly, - is there a specific time when an actress should leave the stage?

It is a planet where there can never be more than one being at a time. If one arrives, the other must leave.

In 1986, Juris Podnieks made his film "Is it easy to be young?". The film became extremely popular and very soon was shown in 85 countries, which was a tremendous success for a Latvian film. It was even regarded as "the first bird of Perestroika". In 1998 the follow up film was made. It was extremely interesting to find out how the new economic system after the fall of the Soviet regime in Latvia had changed the lives of the persons filmed 10 years ago. "Is it easy to be...? After 10 years" also got an international recognition. The question 20 years later was- does anything change in this world or perhaps there are things that never change?! What has become of these brave youngsters who had once helped to destroy the Soviet system and who are now the generation of forty?

The story of young lives in the young offenders unit in Cēsis, Latvia. A place governed by its own codes and order, where unwritten rules are more powerful than the written word. In the making of the film, the production team witnessed a gamut of attitudes and emotions. Much can be understood from the youths’ gestures, facial expressions and from their actions. Secretive and uncommunicative, they are victims, yet perpetrators of crime. But, also still children.

A documentary about Latvian partisans ("forest brothers") who were fighting against the Soviet occupation long after the end of WWII.

Even if you’re born to fly, it's not an easy thing to learn. And not everyone succeeds.

Sometimes we got lost. And then we have to be found again, so that no one is sad.

A jolly, care-free, slightly absent-minded Witch loses her magic button. What would the world have looked like if the witch hadn’t found it again!?

Imants Veide is writing a script about con artists and their schemes. Together with his friend Harijs Kuharjonoks he's trying them out for real for greater authenticity, but gets too entangled in real criminal schemes. More and more colorful characters appear on the horizon, but Imant's main adversary on the road to criminal excellency is his Neighbour, a true iron lady with balls bigger than all those involved combined.

Folded, rewritten, thrown away, wrinkled, crossed out, stuffed in a pocket, handed to the book keeper, only to find out later that it was the wrong one; then written down, torn out, worn out, sometimes crumpled up, with morning coffee stains. The film’s protagonist walks around the pulp mill with jagged movements, performing his duties. “I doubt we’ll meet again. I really do,” he repeats to himself, addressing the void.

A film about the outstanding Latvian film director Juris Podnieks, who during his lifetime gained the fame of a fighter for justice and an "eye-opener". Podnieks has created testimonies about the most important events of the twentieth century in the post-Soviet territory. He always saw a bigger picture, it was not just Latvia what interested him. His ability to cover such a wide spectrum of themes - wars, lost freedom of his own country, the Soviet regime and its collapse, young people, artists. But most importantly, he was always focusing on the human soul. Juris creates an emotional bond between the author and his characters, the characters and the viewer - he was talking to each individual. Perhaps this is why his films made such an effect on the viewer. Juris Podnieks has clearly been able to influence millions of viewers with his films. Juris himself died in the summer of 1992 in a diving accident. Did he manage to fulfill his mission in this life?

Sometimes even those who are used to crawling, get to fly.

It is a bit funny and a bit sad story about snowmen and…spring. Everyone has got their time and place in this world. Like that rabbit who managed to get fresh carrots in spring.

An ordinary day turns into an adventure and becomes an extraordinary day.

At the end of World War II, many Latvians, Lithuanians, and Estonians fled the Soviet rule. They stayed abroad for many years. Now, after the regaining of independence of the three Baltic states, they are coming back. Their stories vary.