When 15-year-old rebellious Stefi goes missing, her mother Helena has nothing left to lose. Why cling to sanity when madness offers a chance for reconciliation and love?

The Man Who Saved the World is a feature documentary film about Stanislav Petrov, a former lieutenant colonel of the Soviet Air Defence Forces.

They met on Christmas Eve, beyond one's usual living-space: at the morgue. In an outburst of feelings, they try to manipulate each other in order to get what they want. She wants him, but he wants to vanish – following the rules of black comedy, neither one of them will get anything.

Lame-o’s is set just before the Millennium, in 1999, and is the story of three school friends who are among the most unpopular girls in their class. The friends are determined to radically change the situation. The three friends at the centre of the story are Sarmīte, Sveta and Katrīna, who are studying in the last class of the secondary school. The upcoming Millennium and their approaching graduation make them undertake various measures to become appreciated and liked, which eventually challenge their friendship.

Elsa falls in love with a quadriplegic genius, her patient Nicola, whose mansion hides a secret – Nicola is obsessed with the creation of an artificial intellect. His creation, named Anna, stops at nothing to keep her master just for herself.

After the lives of several people are tied into a intriguing knot upon meeting police officer Krasts one hot summer day, they’re all brought together again on a full moon winter night. Intrigue develops among a couple of lovers, Gints and Elga, three adventure-race participants with one woman, Renate, on their team, three generations of a family whose father, Karlis, died in a tragic hunting accident, Karlis’s daughter Aija, his former lover Livija, and a young girl hardened by life, who lives at a Christian home for expectant mothers. A detective twist is added by a bit of poison, which one of them will get.

An insecure millennial woman pursues her dream whilst learning how to adult. While being preoccupied with life tasks at hand she can barely handle and also severe depression, main character of this film Marta (30) keeps dreaming about making films, drawn to the healing power of storytelling, but not having the courage to act these dreams out; sometimes she is too scared to even pick up the phone. Marta’s life seems to sway both in comic and tragic directions: it’s sometimes a mix of ultimate freedom, sex, drugs, friendship, laughter, alcohol, lots of alcohol, music, honesty and love, and sometimes the reality Marta avoids to face becomes so brutal she can’t take it anymore. Through the course of the film Marta learns there is an unavoidable question that at some point becomes inevitable for almost every filmmaker: if you really want to direct films, can you first direct yourself out of depression?

Two twenty-somethings from Latvia meet in the south of France. Leo studies restoration, Anna has lived in Marseille for some time and works as a hairdresser. Also, she looks very much like the image of a girl that Leo has uncovered restoring an altar painting.

Leningrad, 1970. A group of young Jewish dissidents plot to hijack an empty plane and escape the USSR. Caught by the KGB a few steps from boarding, they were sentenced to years in the gulag and two were sentenced to death; they never got on a plane. 45 years later, filmmaker Anat Zalmanson-Kuznetsov reveals the compelling story of her parents, leaders of the group, "heroes" in the West but "terrorists" in Russia, even today.

A Latvian tragicomedy about a young artist who bears witness to the dramatic political upheavals of the WWII era. As brutal regimes come and go, his country, his village, his people, and even his heart are swept up in the inexorable currents of history.

Ilze Burkovska, a little girl who is obsessed with stories of World War II and will be a filmmaker in a distant future, lives in Latvia under the totalitarian boot of the Soviets and the ominous shadow of the many menaces and horrors of the Cold War.

Vitaly Mansky’s intimate and insightful new documentary finds him crisscrossing Ukraine in the wake of the Maidan uprising, which has left his relatives scattered on both sides of a highly charged and dizzyingly complex political situation.

A giant girl lives in a wild rural environment. When the modern world enters this isolated Russian Old Believer milieu, the girl is taken away and dragged into the world of professional sports. The aim does not differ much from that of a circus in the Middle Ages – to entertain audiences and exploit the limits of people’s mental and physical abilities. But the girl proves to have unbelievable willpower and athletic talent. She is able to adapt and triumph in this new world. This is the story of the famous basketball player Ulyana Semyonova.

Ieva has been an obedient granddaughter for years – choosing a safe career in a bank as her grandmother wanted. Her mother left the family years ago when she had to look for work abroad. That has made ties between Ieva and her grandmother especially tight. Dissatisfaction with the constant adaption to the material world is flickering under the surface and Ieva lives her dreamlife with her friends. She plays the keyboard in a girl band and stays out late. When Ieva decides to have a provocative tattoo on her arm made, her grandmother goes completely nuts.

When his family moves to the city of Zlín and 16-year-old David joins a new hockey team, the Wolves, he is determined to succeed. There’s, however, the other goalie, Miky – and his position seems unshakeable. The team doesn’t welcome David with open arms either. Captain Jerry and his gang do as they please, while the team follows the ‘law of the pack’. David has been weakened by his recently discovered diabetes, and that is not tolerated here. He is still coming to terms with his body, learning to estimate the insulin doses his life depends on. On the team, David is the outsider, bracing the avalanche of bullying that gradually gains speed.

The main characters of the film have made choices, which change their lives forever. A young man Yigal Amir assassinates the Prime Minister of Israel and becomes the most hated prisoner in the country. Larissa, who emigrated from Russia, mother of four divorces her first husband, marries the assassin and gives birth to his son. For many years the film authors have been trying to solve and perceive this complicated story. One of them, Hertz Frank, passes away during the shootings remaining on the threshold of the eternal mystery - life, death and love...

Pavlensky/Pawlenski, artist and activist, is leading the way in forging social change in Russia. Through an multiple courageous performances, he acts as society's conscience in the face of an increasingly totalitarian state. From lying naked in a coil of barbed wire, to nailing his scrotum to the floor of Red Square, his acts of defiance aim to spark debate and catalyse reform. This documentary follows his mission to challenge the state.

A youngster Andis, 21 offers a friend of his grandmother Mara, 80, who is dying, to fulfil her every wish in exchange for her apartment after her death. This agreement lets both of them rethink their attitude for what they actually want.

Death as non-existence, non-being, or the absence of life has been a subject of human interest for millennia. Poets, philosophers, prophets, and hermits have now been replaced by filmmakers, influencers, cryonicists, and evolutionary biologists in the search for the quintessence of life and death. Zoltan Istvan runs a cryonics laboratory and is running for president of the United States with the demand that immortality be included among fundamental human rights. In Russia, a mass festival dedicated to the cult of death is traditionally held. Dāvis Sīmanis' film essay reveals the twists and turns of man's age-old desire for eternal life. It uncovers the metaphorical and fetishistic representations of death and the mechanisms by which we come to terms with our own mortality.

During the reconstruction of the Valmiera Theatre building (2021-2024), artistic activities were never interrupted - the preparation of new productions and performances in the Round Hall continued. The promised one winter of patience turned into three. Rehearsals and performances took place in various locations in Valmiera, but the theatre building, despite the lack of water and heat, was never abandoned - with construction crews, through the dust and cold, actors and other theatre staff went to the rehearsal hall, the Round Hall, the carpentry workshop, and the administration to work as if nothing were unusual or difficult.