Petit à Petit Production

Artem loves Yulia, Yulia loves Artem. They recently graduated from school, moved to Moscow and began an independent life. In search of part-time jobs, Artem comes up with the idea of creating another image from Yulia - Eva Elfie - and making an amateur video for Pornhub. Suddenly, the video becomes popular, Eva gets more and more job offers, and Artem becomes the boyfriend and producer of a world celebrity. The heroes seem to fall into the "American dream", but in their personal lives there are more and more problems and doubts.

Claire Simon goes to Lussas, in France’s Ardèche, home to a vibrant community of documentarians. She films the creation of Tënk, an online platform for auteur documentaries. The initiative is a labour of love for the passionate and optimistic people behind it, but the process is long and arduous, as cultural projects often are. The filmmaker followed them for months, capturing their doubts and dilemmas: how do you manage everyday conflicts? Be accepted by a rural population that you aren’t part of? By the general public? Reconcile private life and professional calling? Reassure the mayor? Secure funding without making ethical compromises? A fascinating, bittersweet and insightful behind-the-scenes film. (Apolline Caron-Ottavi)

In 2021, an extreme heatwave gave rise to huge wildfires in the vast subarctic forests of Sakha, a northeastern republic in Siberia. The village of Shologon lies in this taiga landscape, shrouded in orange smoke and black ash. The forest is burning and the flames are approaching fast.

On the secret like-mindedness between old Caledonia (the Latin name used by the Roman Empire to refer to most of the land area of Scotland) and New Caledonia (the French territory comprising dozens of islands in the South Pacific).

This film is an African “Boyhood” that gives an insight to the political and historical situation of Burundi throughout the last 24 years through the eyes of six street children that now have become adults.

In 2010, Godard's Film Socialisme explores the sinking of political ideals in Europe. In 2012, the Costa Concordia, which had served as an allegorical platform for Godard, sank in front of the cameras of passengers and the world. In 2018, Paul Grivas Film Catastrophe, looks at images of the disaster to revisit the film factory

For a long time I watched Guadeloupe, my parents' native island, from afar. From the metropolis. A rapprochement took place when I was watching the images filmed by the Guadeloupeans throughout the general strike of 2009. 44 days of a singular and powerful mobilization that this film restores as I perceived it.

In 2013, Dima Ilukhin, the cousin of the film’s director and a soldier in the Russian army, died on duty in the Republic of Dagestan in the North Caucasus. He was 21 years old. This incident marks the starting point for Abaturov’s reflection on the military. He films the training of new recruits in Siberia, as they bid farewell to their mothers and girlfriends, learn the mechanics of a Kalashnikov, or how to throw a hand grenade and administer first aid. While his parents try to cope with their loss, Dima’s former fellow recruits have to return to battle.